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The text covers a range of topics related to poetry and drama, including classifications of poetry and discussions on the intentions behind tragic plays and the roles in comedy. It features essays on sentimental comedy and letters exchanged with notable figures such as Friedrich Nicolai and Moses Mendelssohn. The annotations include various pieces, including prefaces, thoughts on the reception of Danish theater, and reflections on the evolution of taste in serious versus comedic works. Additionally, it addresses the impact of a well-established theater and examines the contributions of dramatic writers alongside those who critique other arts. The text also provides a selection of dramatic works, a bibliography, and indexes for easy reference. Overall, it serves as a comprehensive exploration of dramatic literature and its classifications, offering insights into the nature of theater and its emotional resonance.

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Deutsche Texte - 28: Die Entwicklung des bürgerlichen Dramas im 18. Jahrhundert, Johann Georg Sulzer, J. M. R. Lenz, Fr. Schiller, Jürg Mathes, G. E. Lessing, J. E. Schlegel, J. G. B. Pfeil, Chr. H. Schmid, Chr. Garve, J. V. Sonnenfels, A. Frhr. v. Knigge, J. Fr. Schink, J. A. Schlegel, Fr. Nicolai, J. A. Engelbrecht, Chr. F. Gellert, M. Mendelssohn, M. C. Curtius

Taal
Jaar van publicatie
1974
Bindwijze
(Hardcover),
Staat van het boek
Beschadigd
Prijs
€ 6,09

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Titel
Deutsche Texte - 28: Die Entwicklung des bürgerlichen Dramas im 18. Jahrhundert
Ondertitel
Ausgewählte Texte
Taal
Duits
Uitgever
Niemeyer
Jaar van publicatie
1974
Formaat
Hardcover
Aantal pagina's
151
ISBN10
3484190272
ISBN13
9783484190276
Reeks
Aantekening
The text covers a range of topics related to poetry and drama, including classifications of poetry and discussions on the intentions behind tragic plays and the roles in comedy. It features essays on sentimental comedy and letters exchanged with notable figures such as Friedrich Nicolai and Moses Mendelssohn. The annotations include various pieces, including prefaces, thoughts on the reception of Danish theater, and reflections on the evolution of taste in serious versus comedic works. Additionally, it addresses the impact of a well-established theater and examines the contributions of dramatic writers alongside those who critique other arts. The text also provides a selection of dramatic works, a bibliography, and indexes for easy reference. Overall, it serves as a comprehensive exploration of dramatic literature and its classifications, offering insights into the nature of theater and its emotional resonance.