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The Energy of Slaves

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<b>To mark the publication of Leonard Cohen's final book, <i>The Flame</i>, McClelland &amp; Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry, many of which are back in print for the first time in decades. </b> <i>A freshly packaged new series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers.</i> Originally published by McClelland &amp; Stewart in 1972, <i>The Energy of Slaves</i> is Cohen's fifth collection, and one of his most controversial. A dark and intense book, described by one critic as "deliberately ugly, offensive, bitter, anti-romantic," Cohen considered it a document of his struggle--"I've just written a book called <i>The Energy of Slaves</i>," he told an interviewer at the time, "and in there I say that I'm in pain." Bracing, challenging, and equally beautiful and off-putting, it remains one of his most compelling and complex works.

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The Energy of Slaves, Leonard Cohen

Taal
Jaar van publicatie
1972
Bindwijze
(Paperback),
Staat van het boek
Goed
Prijs
€ 9,99

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Titel
The Energy of Slaves
Taal
Engels
Jaar van publicatie
1972
Formaat
Paperback
Aantal pagina's
127
ISBN10
022400817X
ISBN13
9780224008174
Reeks
Aantekening
<b>To mark the publication of Leonard Cohen's final book, <i>The Flame</i>, McClelland &amp; Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry, many of which are back in print for the first time in decades. </b> <i>A freshly packaged new series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers.</i> Originally published by McClelland &amp; Stewart in 1972, <i>The Energy of Slaves</i> is Cohen's fifth collection, and one of his most controversial. A dark and intense book, described by one critic as "deliberately ugly, offensive, bitter, anti-romantic," Cohen considered it a document of his struggle--"I've just written a book called <i>The Energy of Slaves</i>," he told an interviewer at the time, "and in there I say that I'm in pain." Bracing, challenging, and equally beautiful and off-putting, it remains one of his most compelling and complex works.