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A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
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Film Language, Christian Metz
- Taal
- Jaar van publicatie
- 1991
- product-detail.submit-box.info.binding
- (Paperback)
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- Titel
- Film Language
- Taal
- Engels
- Auteurs
- Christian Metz
- Uitgever
- The University of Chicago Press
- Jaar van publicatie
- 1991
- Formaat
- Paperback
- Aantal pagina's
- 286
- ISBN10
- 0226521303
- ISBN13
- 9780226521305
- Reeks
- Tags
- Non-fictie, Kunst / Cultuur, Sociale Wetenschappen, Kunst, Talen, Filmthema, Film, Linguïstiek, Wetenschappelijke Theorien, Onderzoek, Semiotiek
- Beoordeling
- 3,85 van 5
- Aantekening
- A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen