Bookbot

Dana Schutz: The Gardener

Kat. CFA Contemporary Fine Arts Berlin

Meer over het boek

THE GARDENER: Dana Schutz painted a new series of paintings in 2021, exhibited at the end of the year at the CFA in Berlin under the title "The Gardener." After the now out-of-print "Waiting for the Barbarians," which featured the painting "Open Casket," that faced violent attacks and strong protests from activists in 2017 during the Whitney Biennial, the artist presents a new style of painting. She exaggerates the expressiveness of her canvases through thick black outlines. While the destructive nature of her 2016 paintings was frightening in a form that could almost be described as sterile due to the curiously joyful and almost "sunny" color palette she used for grim situations and subjects, the new canvases, along with a series of sculptures, appear hard and threatening. To quote Dana Zaja in the accompanying text, which deserves to be read: "In Schutz's pictorial universe, the most mundane activities rest on a dark element, particularly since any form of work seems to constitute an act of rebellion against our lamentable world. Adaptation and resistance go hand in hand."

Een boek kopen

Dana Schutz: The Gardener, Bruno Brunnet

Taal
Jaar van publicatie
2022
product-detail.submit-box.info.binding
(Hardcover)
Zodra we het ontdekt hebben, sturen we een e-mail.

Betaalmethoden

Nog niemand heeft beoordeeld.Tarief

Titel
Dana Schutz: The Gardener
Ondertitel
Kat. CFA Contemporary Fine Arts Berlin
Taal
Engels, Duits
Jaar van publicatie
2022
Formaat
Hardcover
Aantal pagina's
32
ISBN10
3864423848
ISBN13
9783864423840
Reeks
Aantekening
THE GARDENER: Dana Schutz painted a new series of paintings in 2021, exhibited at the end of the year at the CFA in Berlin under the title "The Gardener." After the now out-of-print "Waiting for the Barbarians," which featured the painting "Open Casket," that faced violent attacks and strong protests from activists in 2017 during the Whitney Biennial, the artist presents a new style of painting. She exaggerates the expressiveness of her canvases through thick black outlines. While the destructive nature of her 2016 paintings was frightening in a form that could almost be described as sterile due to the curiously joyful and almost "sunny" color palette she used for grim situations and subjects, the new canvases, along with a series of sculptures, appear hard and threatening. To quote Dana Zaja in the accompanying text, which deserves to be read: "In Schutz's pictorial universe, the most mundane activities rest on a dark element, particularly since any form of work seems to constitute an act of rebellion against our lamentable world. Adaptation and resistance go hand in hand."