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Ellen Harvey: The Disappointed Tourist

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In her work, New York-based British artist Ellen Harvey makes use of a traditional painterly vocabulary for her strategy of appropriation, whereby she methodically juxtaposes mapping, pasticcio, and institutional critique. For her first solo presentation in Austria and the publication at hand, The Disappointed Tourist, she has chosen the cosmoramas by Hubert Sattler at the Panoramamuseum in Salzburg as inspiration for her question as formulated online: "Is there a place that you have always wanted to visit or revisit that no longer exists?" The locations suggested by the users meanwhile form a cycle of two hundred paintings; they show, for instance, postcard views of the Buddha statues of Bamiyan, which were blown up by the Taliban in 2001 at the outset of the war in Afghanistan, and of Coney Island amusement park in 1943, which burned down the following year. This is how Ellen Harvey enters into dialogue with her audience; topics such as war, racism, ecological catastrophes, and technological change arise quite naturally, even if it is just about one' s personal favorite place.

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Ellen Harvey: The Disappointed Tourist, Thorsten Sadowsky

Taal
Jaar van publicatie
2021
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(Paperback)
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Titel
Ellen Harvey: The Disappointed Tourist
Taal
Engels, Duits
Jaar van publicatie
2021
Formaat
Paperback
Aantal pagina's
192
ISBN10
3864423430
ISBN13
9783864423437
Reeks
Aantekening
In her work, New York-based British artist Ellen Harvey makes use of a traditional painterly vocabulary for her strategy of appropriation, whereby she methodically juxtaposes mapping, pasticcio, and institutional critique. For her first solo presentation in Austria and the publication at hand, The Disappointed Tourist, she has chosen the cosmoramas by Hubert Sattler at the Panoramamuseum in Salzburg as inspiration for her question as formulated online: "Is there a place that you have always wanted to visit or revisit that no longer exists?" The locations suggested by the users meanwhile form a cycle of two hundred paintings; they show, for instance, postcard views of the Buddha statues of Bamiyan, which were blown up by the Taliban in 2001 at the outset of the war in Afghanistan, and of Coney Island amusement park in 1943, which burned down the following year. This is how Ellen Harvey enters into dialogue with her audience; topics such as war, racism, ecological catastrophes, and technological change arise quite naturally, even if it is just about one' s personal favorite place.