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2002 Harvey Award Winner, Best New Talent: this superbly evocative story by the award-winning Norwegian cartoonist is a tale of childhood friendship and tragedy, and the terrible lingering aftereffects thereof. One of Europe's most exciting young cartoonists makes his American debut. This superbly evocative graphic novella by the award-winning Norwegian cartoonist Jason (his first appearance in the English language) starts off as a melancholy childhood memoir and then, with a shocking twist midway through, becomes the summary of lives lived, wasted, and lost. Like Art Spiegelman did with Maus , Jason utilizes anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next (sometimes spanning a number of years) make Hey, Wait... one of the most surprising and engaging debuts of the year. Black-and-white comics throughout
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Hey, Wait ..., Jason
- Taal
- Jaar van publicatie
- 2008
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- Hey, Wait ...
- Taal
- Engels
- Auteurs
- Jason
- Uitgever
- Fantagraphics Books
- Jaar van publicatie
- 2008
- Formaat
- Hardcover
- Aantal pagina's
- 64
- ISBN10
- 156097463X
- ISBN13
- 9781560974635
- Reeks
- Beoordeling
- 4,05 van 5
- Aantekening
- 2002 Harvey Award Winner, Best New Talent: this superbly evocative story by the award-winning Norwegian cartoonist is a tale of childhood friendship and tragedy, and the terrible lingering aftereffects thereof. One of Europe's most exciting young cartoonists makes his American debut. This superbly evocative graphic novella by the award-winning Norwegian cartoonist Jason (his first appearance in the English language) starts off as a melancholy childhood memoir and then, with a shocking twist midway through, becomes the summary of lives lived, wasted, and lost. Like Art Spiegelman did with Maus , Jason utilizes anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next (sometimes spanning a number of years) make Hey, Wait... one of the most surprising and engaging debuts of the year. Black-and-white comics throughout