Parkett No. 71

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While Olaf Breuning and Richard Phillips acquire new insights by devoting themselves to the world of forms and aesthetic appearances as "taste analysts," Keith Tyson, a latter-day uomo universale, strides through complex scientific universes as if he were strolling around in an amusement park. The visual forms and mental peregrinations of these three artists engage cultural borderlines where subjectivity and rationality, sensuousness and cold abstraction are remixed.