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The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context.
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Eikones: Enthüllen und Verbergen in der Vormoderne / Revealing and Concealing in the Premodern Period, Henriette Hofmann, Barbara Schellewald, Sophie Schweinfurth, Gerald Wildgruber
- Taal
- Jaar van publicatie
- 2021
- product-detail.submit-box.info.binding
- (Paperback)
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- Titel
- Eikones: Enthüllen und Verbergen in der Vormoderne / Revealing and Concealing in the Premodern Period
- Uitgever
- Brill U Fink
- Jaar van publicatie
- 2021
- Formaat
- Paperback
- Aantal pagina's
- 311
- ISBN10
- 3770562771
- ISBN13
- 9783770562770
- Reeks
- Tags
- Non-fictie, Sociale Wetenschappen, Kunst / Cultuur, Historisch thema, Geschiedenis, Filosofisch thema, Filosofie, Cultuur en Samenleving, Historische Bronnen, Visuele Kunst
- Aantekening
- The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context.