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Made in L.A. 2020

A Version

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Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene.Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum

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Made in L.A. 2020, Lauren Mackler, Myriam Ben Salah

Taal
Jaar van publicatie
2020
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Titel
Made in L.A. 2020
Ondertitel
A Version
Taal
Engels
Uitgever
Prestel
Jaar van publicatie
2020
Formaat
Paperback
Aantal pagina's
308
ISBN10
379135910X
ISBN13
9783791359106
Reeks
Aantekening
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene.Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum