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Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.
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Eyewitness Guides - 98: Perspective, Alison Ambrose, Alison Cole
- Taal
- Jaar van publicatie
- 1992
- product-detail.submit-box.info.binding
- (Hardcover),
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- Titel
- Eyewitness Guides - 98: Perspective
- Ondertitel
- Discover the Theory and Techniques of Perspective, from the Renaissance to Pop Art
- Taal
- Engels
- Auteurs
- Alison Ambrose, Alison Cole
- Uitgever
- Dorling Kindersley
- Jaar van publicatie
- 1992
- Formaat
- Hardcover
- Aantal pagina's
- 64
- ISBN10
- 0751361534
- ISBN13
- 9780751361537
- Reeks
- Tags
- Non-fictie, Kunst / Cultuur, Beeldende Kunst, Schilderkunst & Beeldhouwkunst, Kunst, Tentoonstellingscatalogi, Geschiedenis en theorie van de kunst, Kunstgeschiedenis
- Aantekening
- Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.