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American Horrors

Essays on the Modern American Horror Film

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Since the release of <i>Rosemary's Baby</i> in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (<i>Night of the Living Dead, The Exorcist, </i>and <i>Halloween</i>) and particularly problematic films (<i>Don't Look Now</i> and <i>Eyes of Laura Mars</i>) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, <i>American Horrors</i> includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.

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American Horrors, Gregory Albert Waller

Taal
Jaar van publicatie
1987
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Titel
American Horrors
Ondertitel
Essays on the Modern American Horror Film
Taal
Engels
Jaar van publicatie
1987
Formaat
Paperback
Aantal pagina's
248
ISBN10
0252014480
ISBN13
9780252014482
Reeks
Aantekening
Since the release of <i>Rosemary's Baby</i> in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (<i>Night of the Living Dead, The Exorcist, </i>and <i>Halloween</i>) and particularly problematic films (<i>Don't Look Now</i> and <i>Eyes of Laura Mars</i>) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, <i>American Horrors</i> includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.