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Art of China

Highlights from the Philadelphia Museum of Art

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This sumptuous presentation of the Philadelphia Museum of Art’s wide-ranging collection of Chinese art features one hundred works in various media spanning antiquity to the present day—including Ming gold vessels, a 15th-century Buddhist temple ceiling, imperial court robes, and an 18th-century bookcase made in Canton for a Dutchman. With striking new photography and engaging and informative discussions of individual works of sculpture, painting, furniture, textiles, ceramics, metalwork, and architecture, this volume provides a fascinating look into the breadth and diversity of Chinese artistic experience and material culture. An introductory essay by Hiromi Kinoshita delves into the history of the Philadelphia Museum’s Chinese collection—begun after the 1876 World’s Fair and continuing today with acquisitions of contemporary works by Ai Weiwei and Zhang Huan—weaving together stories of intrepid and dedicated collectors, curators, and dealers. Both accessible to general readers and of interest to scholars, this book is a valuable resource for those captivated by the many manifestations of art from China.

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Art of China, Hiromi Kinoshita, Xiaofeng Huang, Diandian Li, John E. Vollmer, Philadelphia Museum of Art

Taal
Jaar van publicatie
2018
product-detail.submit-box.info.binding
(Hardcover),
Staat van het boek
Goed
Prijs
€ 39,49

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Titel
Art of China
Ondertitel
Highlights from the Philadelphia Museum of Art
Taal
Engels
Jaar van publicatie
2018
Formaat
Hardcover
Aantal pagina's
264
ISBN10
0300237103
ISBN13
9780300237108
Reeks
Aantekening
This sumptuous presentation of the Philadelphia Museum of Art’s wide-ranging collection of Chinese art features one hundred works in various media spanning antiquity to the present day—including Ming gold vessels, a 15th-century Buddhist temple ceiling, imperial court robes, and an 18th-century bookcase made in Canton for a Dutchman. With striking new photography and engaging and informative discussions of individual works of sculpture, painting, furniture, textiles, ceramics, metalwork, and architecture, this volume provides a fascinating look into the breadth and diversity of Chinese artistic experience and material culture. An introductory essay by Hiromi Kinoshita delves into the history of the Philadelphia Museum’s Chinese collection—begun after the 1876 World’s Fair and continuing today with acquisitions of contemporary works by Ai Weiwei and Zhang Huan—weaving together stories of intrepid and dedicated collectors, curators, and dealers. Both accessible to general readers and of interest to scholars, this book is a valuable resource for those captivated by the many manifestations of art from China.