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Leaves of Narcissus

A Modern Arabic Novel

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This novel of home and homelessness, of exile both physical and psychological, centers on Kimi, a fragile heroine suffering from a rift in her persona, unable to distinguish between her own pain and the pain of others. For Kimi it is not a simple case of to be or not to be, but rather of howto be in disjointed and contrary times. Leaves of Narcissus, like earlier Arabic novels about East-West encounters by male writers such as Tawfiq al-Hakim, Taha Hussein, and Tayeb Salih, is about a young Arab student going west in search of education. Here, though, the protagonist is a young womanand her destination is Ireland, a part of the West and at the same time a victim of the ravages of colonialism― adding ambiguity to the customary representations of the East-West dichotomy. In this captivating novel, Somaya Ramadan displays a rare virtuosity in evoking and interlacing literarymotifs― from the popular to the learned, from the folk to the mythic, from the Egyptian to the Irish― and poses questions rather than answers, questions that hold a mirror to our selves.

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Leaves of Narcissus, Somaya Ramadan, Marilyn Booth

Taal
Jaar van publicatie
2007
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(Paperback),
Staat van het boek
Goed
Prijs
€ 55,99

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Titel
Leaves of Narcissus
Ondertitel
A Modern Arabic Novel
Taal
Engels
Jaar van publicatie
2007
Formaat
Paperback
Aantal pagina's
112
ISBN10
9774160584
ISBN13
9789774160585
Reeks
Tags
Fictie
Aantekening
This novel of home and homelessness, of exile both physical and psychological, centers on Kimi, a fragile heroine suffering from a rift in her persona, unable to distinguish between her own pain and the pain of others. For Kimi it is not a simple case of to be or not to be, but rather of howto be in disjointed and contrary times. Leaves of Narcissus, like earlier Arabic novels about East-West encounters by male writers such as Tawfiq al-Hakim, Taha Hussein, and Tayeb Salih, is about a young Arab student going west in search of education. Here, though, the protagonist is a young womanand her destination is Ireland, a part of the West and at the same time a victim of the ravages of colonialism― adding ambiguity to the customary representations of the East-West dichotomy. In this captivating novel, Somaya Ramadan displays a rare virtuosity in evoking and interlacing literarymotifs― from the popular to the learned, from the folk to the mythic, from the Egyptian to the Irish― and poses questions rather than answers, questions that hold a mirror to our selves.