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The Social Scene, The Ralph R. Parsons Foundation, Photography Collection

the Ralph M. Parsons Foundation photography collection at the Museum of Contemporary Art, Los Angeles

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A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. 9 ¼ x 11 ½ inches, 125 duotone & 11 color reproductions, Exhibition Catalog.

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The Social Scene, The Ralph R. Parsons Foundation, Photography Collection, Cornelia H. Butler, A.D. Coleman

Taal
Jaar van publicatie
2000
Bindwijze
(Paperback)
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Titel
The Social Scene, The Ralph R. Parsons Foundation, Photography Collection
Ondertitel
the Ralph M. Parsons Foundation photography collection at the Museum of Contemporary Art, Los Angeles
Taal
Engels
Jaar van publicatie
2000
Formaat
Paperback
Aantal pagina's
168
ISBN10
0914357743
ISBN13
9780914357742
Reeks
Aantekening
A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. 9 ¼ x 11 ½ inches, 125 duotone & 11 color reproductions, Exhibition Catalog.