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Catalogue déraisonné

Catalogue Déraisonné

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Photographer, collector, philanthropist and businessman Jean Pigozzi (born 1952) has spent much of the past four decades compiling a frank and humorous taxonomy of the international glitterati with which he surrounds himself. Instead of keeping a written diary, Pigozzi elected to keep a visual journal of his friends, family and social antics, producing a brand of high-society portraiture that conveys his preference for celebrating life in-or next to-the limelight, seeking and embracing the company of the rich and famous rather than revealing celebrity secrets. The famous Pigozzi & Co. series that began in the 1970s-a body of work that turned the typical conception of the paparazzo on its head by inserting the photographer among his subjects (as in the now-classic snap of Pigozzi with Mick Jagger and Jerry Hall) has now given way to candid portraiture and the recording of low-key moments. The fourth monograph of his work, Catalogue Déraisonné is part diary, part cultural archive, with a cast of eccentric characters caught off the cuff.

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Catalogue déraisonné, Jean Pigozzi

Taal
Jaar van publicatie
2010
Bindwijze
(Hardcover)
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Titel
Catalogue déraisonné
Ondertitel
Catalogue Déraisonné
Taal
Engels
Uitgever
Steidl
Jaar van publicatie
2010
Formaat
Hardcover
Aantal pagina's
400
ISBN10
3869300345
ISBN13
9783869300344
Reeks
Aantekening
Photographer, collector, philanthropist and businessman Jean Pigozzi (born 1952) has spent much of the past four decades compiling a frank and humorous taxonomy of the international glitterati with which he surrounds himself. Instead of keeping a written diary, Pigozzi elected to keep a visual journal of his friends, family and social antics, producing a brand of high-society portraiture that conveys his preference for celebrating life in-or next to-the limelight, seeking and embracing the company of the rich and famous rather than revealing celebrity secrets. The famous Pigozzi & Co. series that began in the 1970s-a body of work that turned the typical conception of the paparazzo on its head by inserting the photographer among his subjects (as in the now-classic snap of Pigozzi with Mick Jagger and Jerry Hall) has now given way to candid portraiture and the recording of low-key moments. The fourth monograph of his work, Catalogue Déraisonné is part diary, part cultural archive, with a cast of eccentric characters caught off the cuff.