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Henri Matisse dedicated four years to designing the Vence Chapel, which he regarded as his "crowning achievement." The project began with Sister Jacques-Marie, who cared for him during his recovery after a near-fatal illness in 1942. While the origins of the Chapel are known, the details of its construction have remained elusive. This book draws extensively from the Couturier Archives, particularly the notes of Brother Louis-Bertrand Rayssiguier, a young Dominican monk who collaborated closely with Matisse. From December 1947 to June 1951, Rayssiguier documented their conversations verbatim, providing insight into the development of this significant religious artwork. His observations reveal Matisse's personal struggles, triumphs, and reactions to contemporary art, offering a rare glimpse into the artist's life. Additionally, the correspondence between Matisse and Father Marie-Alain Couturier, a key figure in post-World War II religious art, discusses the creation of the Chapel's striking stained-glass windows. Couturier managed the technical aspects of these windows, and their letters form an engaging dialogue on modern stained glass. This archive presents a unique exploration of artistic creativity, featuring previously unpublished documents, Matisse's sketches, and photographs that chronicle the Chapel's construction.

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The Vence Chapel, Henri Matisse, Marie-Alain Couturier, Marcel Billot, Louis-Bertrand Rayssiguier

Taal
Jaar van publicatie
1998
Bindwijze
(Hardcover)
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Titel
The Vence Chapel
Ondertitel
The Archive of a Creation
Taal
Engels
Uitgever
Skira
Jaar van publicatie
1998
Formaat
Hardcover
Aantal pagina's
472
ISBN10
8881184028
ISBN13
9788881184026
Reeks
Aantekening
Henri Matisse dedicated four years to designing the Vence Chapel, which he regarded as his "crowning achievement." The project began with Sister Jacques-Marie, who cared for him during his recovery after a near-fatal illness in 1942. While the origins of the Chapel are known, the details of its construction have remained elusive. This book draws extensively from the Couturier Archives, particularly the notes of Brother Louis-Bertrand Rayssiguier, a young Dominican monk who collaborated closely with Matisse. From December 1947 to June 1951, Rayssiguier documented their conversations verbatim, providing insight into the development of this significant religious artwork. His observations reveal Matisse's personal struggles, triumphs, and reactions to contemporary art, offering a rare glimpse into the artist's life. Additionally, the correspondence between Matisse and Father Marie-Alain Couturier, a key figure in post-World War II religious art, discusses the creation of the Chapel's striking stained-glass windows. Couturier managed the technical aspects of these windows, and their letters form an engaging dialogue on modern stained glass. This archive presents a unique exploration of artistic creativity, featuring previously unpublished documents, Matisse's sketches, and photographs that chronicle the Chapel's construction.