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Giuseppe Penone: Spazio di Luce

Spazio di Luce

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This publication documents Italian artist Giuseppe Penone's sculpture "Spazio di Luce" ("Space of Light"), installed at the Whitechapel Gallery in London. "Spazio di Luce" is a bronze cast of the thick layer of wax surrounding a 40-foot-tall larch, with a radiant goldleaf interior that spreads dramatically across the columned gallery. The work references and augments a 1969 work of Penone's titled "All the Years of the Tree plus One," for which he also cast a tree in wax. Created in close collaboration with the artist, this volume brings together previously unpublished drawings, photographs of historic actions and recent sculptures and a selection of the artist's own writings. It also includes an interview between Achim Borchardt-Hume and the artist and an essay by art critic and scholar Douglas Fogle focusing on Penone's work with trees, alongside color documentation of the exhibition at the Whitechapel Gallery.

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Giuseppe Penone: Spazio di Luce, Achim Borchardt-Hume

Taal
Jaar van publicatie
2012
Bindwijze
(Paperback)
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Titel
Giuseppe Penone: Spazio di Luce
Ondertitel
Spazio di Luce
Taal
Engels
Jaar van publicatie
2012
Formaat
Paperback
Aantal pagina's
208
ISBN10
0854882103
ISBN13
9780854882106
Reeks
Categorieën
Aantekening
This publication documents Italian artist Giuseppe Penone's sculpture "Spazio di Luce" ("Space of Light"), installed at the Whitechapel Gallery in London. "Spazio di Luce" is a bronze cast of the thick layer of wax surrounding a 40-foot-tall larch, with a radiant goldleaf interior that spreads dramatically across the columned gallery. The work references and augments a 1969 work of Penone's titled "All the Years of the Tree plus One," for which he also cast a tree in wax. Created in close collaboration with the artist, this volume brings together previously unpublished drawings, photographs of historic actions and recent sculptures and a selection of the artist's own writings. It also includes an interview between Achim Borchardt-Hume and the artist and an essay by art critic and scholar Douglas Fogle focusing on Penone's work with trees, alongside color documentation of the exhibition at the Whitechapel Gallery.