The Fervent Years
The Group Theatre and the 30's
Auteurs
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The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
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The Fervent Years, Stella Adler, Harold Clurman
- Taal
- Jaar van publicatie
- 1983
- Bindwijze
- (Paperback),
- Staat van het boek
- Beschadigd
- Prijs
- € 10,99
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- Titel
- The Fervent Years
- Ondertitel
- The Group Theatre and the 30's
- Taal
- Engels
- Auteurs
- Stella Adler, Harold Clurman
- Uitgever
- Da Capo Press
- Jaar van publicatie
- 1983
- Formaat
- Paperback
- Aantal pagina's
- 329
- ISBN10
- 0306801868
- ISBN13
- 9780306801860
- Reeks
- Categorieën
- Tags
- Historisch thema, Muzikale thematiek, Politiek, Verenigde Staten, Theater, 20e Eeuw, Podiumkunsten, Musicals
- Aantekening
- The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.




