Eric de Bruyn Boeken

Minor Cinema is the first study of experimental cinema in Switzerland, addressing the relationships between contemporary art and underground movies, formal and amateur films, expanded cinema and performances and focusing on the role of the art schools and the festivals. The publication includes essays on Robert Beavers and Gregory Markopoulos, Peter Liechti, cinema at the Kunsthalle Bern during Harald Szeemann’s curatorship, Annette Michelson, Tony Morgan and Kurt Blum.

The Lisbon Anthony triptych is not only one of Hieronymus Bosch's absolute masterpieces, but also one of the least well-understood paintings from the Brabant master's oeuvre. In this monograph, Eric De Bruyn has incorporated all the interesting results of the earlier Bosch literature surrounding the Lisbon Anthony triptych, and at the same time he presents a new and groundbreaking iconographic interpretation of the triptych.