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Roberts Keith

    20 september 1935 – 5 oktober 2000

    Keith Roberts was een Britse sciencefictionauteur, vooral gevierd om zijn geprezen roman Pavane. Dit meesterlijk gecomponeerde werk, vaak beschouwd als een verzameling van verbonden verhalen, presenteert een alternatieve geschiedenis waarin de Rooms-Katholieke Kerk de controle over Engeland overneemt na de moord op koningin Elizabeth I. Roberts werd beroemd om zijn fantasierijke werelden en kenmerkende stijl die lezers meesleepte in ingewikkelde verhalen. Naast zijn schrijfwerk leverde hij ook bijdragen als illustrator, waarmee hij zijn eigen en andermans publicaties verrijkte met visuele kunst.

    The Chalk Giants
    Ladies from Hell
    Essential Cell Biology
    The Inner Wheel
    Degas
    Rembrandt Master Drawings
    • Degas

      • 48bladzijden
      • 2 uur lezen

      Reproduces works of a major nineteenth-century artist, who did much to synthesize classical themes, modern subjects, and Impressionist technique

      Degas
      4,3
    • Essential Cell Biology

      • 740bladzijden
      • 26 uur lezen

      Cell biology is taught in classrooms around the world to provide students with a firm conceptual grounding in biology. This text provides basic, core knowledge about how cells work and uses colour images and diagrams to emphasize concepts and aid understanding.

      Essential Cell Biology
      4,3
    • "Ladies from Hell" contains five long stories. "The Shack at Great Cross Halt" describes a Britain dominated by motorways, juggernauts and a tyranny, in which the unfortunates of society eke out a miserable existence scavenging items which fall of lorries. "The Ministry of Children" shows comprehensive schools having become terrifying battlegrounds dominated by vicious gangs. "The Big Fans" concerns an experiment in wind-powered electricity which accidentally unleashes an apocalyptic storm of effects. "Our Lady of Destruction" ironically depicts a future in which a Stalinist British government taxes 'non-productive' people (i.e. artists) at over 100% an assigns them individual Overseers to regulate their work. And "Missa Privata" shows an opera singer in a communist-dominated Britain making a defiant individual gesture which will bring about her own ruin. These are not stories of spaceships and alien worlds; rather they are studies of imminent social change, written out of passionate concern about the directions in which our society may be heading - stories, in fact, in the great Orwellian tradition. Most importantly, they are stories about people: believable, defiant individuals struggling against oppressive forces.

      Ladies from Hell
      3,0
    • The Chalk Giants

      • 268bladzijden
      • 10 uur lezen

      It's the eve of the 20th-century's final conflict. But Stan Potts is ready for Armageddon. In his Austin Champ, specially equipped with his own unique survival kit, he heads for Corfe Castle, the Purbecks & the girl of his dreams. It's to be an eventful journey. This latest & most ambitious novel by Keith Roberts is both the story of one lonely man & a compulsively readable account of a civilisation's catastrophe & the clawing-up to a new social order. Across Potts' gaze pass the ravaged survivors; the mutant genius born outside his time; the villagers of the new stone age with their credulous, sexually complex lives; the iron age horsemen; the terror of the sea-borne marauders. Finally, after the pillage, the cruelty of superstition, the fragility of love & its horrific consequences, the story leaps from the Dark Ages into a new awareness & Stan Potts' tale is told. Dream or reality? Future or racial memory? Forecast or myth? Every reader will pass his own verdict on this uniquely challenging book. But all will agree that The Chalk Giants is 1st & last a stunning feat of story telling, a worthy successor to Pavane & The Boat of Fate by an acknowledged master of the genre.

      The Chalk Giants
      3,4
    • Campaign - 119: Marston Moor 1644

      The Beginning of the End

      • 96bladzijden
      • 4 uur lezen

      The entry of the Scots into the English Civil War (1642–1651) on 19 January 1644 on the side of Parliament radically changed the balance of power in the North of England. The Royalists in the North were forced onto the defensive and besieged in York. In a bold march Prince Rupert outmanoeuvred his enemies and relieved York without a shot being fired. However, when Rupert met the allied army in battle on Marston Moor on 2 July his cavalry was defeated by Cromwell's Ironsides who then turned on the Royalist infantry. The result was a hard-fought but catastrophic defeat; the Royalist army was crushed and their forces driven from the north of England.

      Campaign - 119: Marston Moor 1644
      3,9
    • Bruegel

      • 48bladzijden
      • 2 uur lezen

      This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

      Bruegel
      3,9
    • Pike and Shot Tactics 1590-1660

      • 64bladzijden
      • 3 uur lezen

      Throughout the 17th century large parts of Europe were depopulated during the wide-ranging and savage wars of religion and dynasty, involving various major powers. This was hence a key period in the development of 'modern' infantry tactics. This title covers the Dutch-Spanish wars of independence, The Thirty Years' War and the English Civil Wars.

      Pike and Shot Tactics 1590-1660
      3,8
    • America and Russian both explode huge H-bombs simultaneously. The tests go wrong, cracking the seabed, rupturing continents and engulfing cities. The Thames flattens into a flood plain, London is drowned. Now comes cosmic retribution - giant wasps, monstrous and deadly, directed by a supernatural intelligence, invade a reeling world. In England, isolated guerrillas fight on

      The Furies
      3,7