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Neil Miller Gunn

    Neil Gunn behoort tot de meest vooraanstaande Schotse romanschrijvers, wiens werk wordt gekenmerkt door een diepgaande zoektocht naar betekenis in tijden van crisis. Hoewel zijn verhalen zich voornamelijk afspelen in de Schotse Hooglanden, overstijgt Gunn het regionalisme om filosofische, archeologische en metafysische dimensies te verkennen. Zijn romans verweven vakkundig boeiende actie met diepe contemplatie, vaak getrokken uit analogieën met een Hooglandse rivier die zijn bron zoekt. Geprezen om hun evenwicht tussen concrete gebeurtenissen en abstracte vraagstelling, bieden Gunn's literaire bijdragen lezers een uniek perspectief op blijvende vragen over het bestaan en het doel.

    Highland River
    The silver bough
    Morning Tide
    The Green Isle of the Great Deep
    The Silver Darlings
    Young Art and Old Hector
    • 2024

      Set against an urban backdrop, this classic Scottish thriller by Neil M. Gunn explores themes that resonate with contemporary issues. Uncharacteristic of his usual style, the narrative delves into suspense and intrigue, reflecting on societal dynamics and human experiences relevant to modern times.

      The Lost Chart
    • 1988

      The Other Landscape

      • 288bladzijden
      • 11 uur lezen

      Exploring profound themes of life, death, and the inexplicable nature of tragedy, this classic Scottish fiction serves as Gunn's final literary work. The narrative delves into the complexities of human experience, reflecting on the inevitability of loss and the mysteries that surround existence.

      The Other Landscape
    • 1988

      In 1937, the Scottish writer, Neil Gunn, gave up his job in the civil service, sold his house in Inverness, and bought a boat. With his wife and his brother John, he set off on a three-month voyage around Inner Hebrides.The boat had outlived its first youth, and its engine was somewhat cranky; she went tolerably under sail. These are not high recommendations, but for Gunn, and at times his fellow voyagers, the vessel was an argosy of freedom, of adventure and misadventure–for they were fairly inexperienced sailors, and the waters of the region are by no means placid.Gunn was a Scots nationalist in a sense that goes far beyond the political, even though he thought that an independent Scotland was the only proper basis for a reasonable civilization. He was by nature poetic, uplifted or cast down by changing skies, seascapes, and shores. His descriptions of those things, including their moods, are remarkably evocative. And he is also a passionate historian of his country, exalting its possibilities, anathematizing its shortcomings. The book is illustrated with Daisy Gunn's photographs taken on the voyage, which are palpably amateur but wonderfully telling.

      Off in a Boat
    • 1985

      At the heart of The Silver Bough is a cairn on a knoll surrounded by standing stones. This is of professional interest to an archaeologist, around whom the story revolves. The life-enhancing qualities of the crofting family with whom he lodges and the quiet tenor of Highland life bear a curious similarity to his speculations on how 'the cairn people' lived in the distant past. His ideas spread outwards like ripples in a loch, fascinating his colleagues and giving some meaning to the life of a neighbouring landowner, who is mentally scarred from his experiences in the War. The plot of the book is imaginative and intricate, and includes the mystery of skeletons found in a cist in the cairn. As the dig proceeds, gold is discovered and then disappears. Has it been taken by the lad the archaeologist has been employing and, if so, where is it? The search is on and the standing stone claims its sacrificial victim.

      The silver bough
    • 1976

      When the sheer intensities of family life become too much for eight-year-old Art, it is to Old Hector that he turns for comfort. Thwarted from fulfilling his burning desire to go to the River, he seeks out the old man who can still poach a salmon with the best when he chooses. Through Old Hector's tales and his own experiences, Young Art gradually learns about the painful business of growing up.Young Art and Old Hector shows Neil Gunn's artistry at its very best; above all, his genius for clothing a simple story of Caithness crofter-fishermen in the rich garb of myth. It is also one of the finest evocations of childhood ever written, conveying all the magic and misery and the bursting joys of being a small boy in the great and mysterious world.

      Young Art and Old Hector
    • 1969

      The Silver Darlings

      • 592bladzijden
      • 21 uur lezen
      4,3(25)Tarief

      The tale of lives won from a cruel sea and crueller landlords. The dawning of the herring fisheries brought with it the hope of escape from the Highland Clearances, and this story paints a vivid picture of a community fighting against nature and history, and refusing to be crushed.

      The Silver Darlings
    • 1947
    • 1942
    • 1938