The book is a facsimile reprint of an original antiquarian text, preserving its historical significance despite potential imperfections like marks and notations. It aims to protect and promote cultural literature by providing a high-quality, affordable edition that remains true to the original work.
This book is a travelogue about the author's journey through the region of Flanders in Belgium. It was published in the late 19th century and includes descriptions of the local culture and customs. This book would be of interest to travelers and anyone interested in Belgian history and culture.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book is a faithful reprint of the original 1880 edition, preserving its high-quality content. It offers readers a glimpse into the historical and cultural context of Holland during that era, making it a valuable resource for those interested in the region's heritage. The unchanged format ensures that the authenticity and charm of the original work are retained for contemporary audiences.
Focusing on the author's journey through the heart of the Netherlands, this travelogue captures the essence of the provinces of Utrecht, Gelderland, and Overijssel. Havard vividly describes the region's landscapes, architecture, and cultural heritage, alongside its history and inhabitants. Key cities like Amsterdam and Utrecht, as well as charming towns, are explored, highlighting iconic features like canals and windmills. Enhanced with illustrations and maps, the book offers a captivating glimpse into this beautiful part of Europe, while also preserving its historical significance.
A Voyage To The Picturesque Side Of Holland, From The French Of Henry Havard (1876)
Exploring the Zuyder Zee region, this travel book captures the essence of a once-thriving area now marked by desolation. Henry Havard delves into the rich history, culture, and unique landscapes of the Netherlands, portraying quaint villages and iconic windmills through vivid descriptions and illustrations. His engaging writing style provides a deep appreciation for the picturesque scenery and architectural heritage of the region. This facsimile reprint preserves the cultural significance of the original work, making it a valuable read for history enthusiasts.
Originally published in 1876, this reprint offers a glimpse into the past, preserving the text and context of its time. It provides readers with an opportunity to explore historical themes, societal norms, and the literary style of the era. This edition aims to maintain the authenticity of the original work, making it a valuable resource for both enthusiasts of classic literature and those interested in the cultural backdrop of the 19th century.
Die Veröffentlichung dieses historischen Buches aus dem Jahr 1882 erfolgt durch das Antigonos Verlagshaus, das sich auf Reprints von bedeutenden Werken spezialisiert hat. Ziel ist es, diese kulturellen Erben in gutem Zustand der Öffentlichkeit zugänglich zu machen und somit das historische Wissen und Erbe zu bewahren.
Die Einzigartigkeit der niederländischen Landschaft mit ihren Wasserwegen und ihrem Farbreichtum spiegelt sich nicht nur in den Naturgemälden, sondern auch in bekannten Einzel- und Gruppenporträts aus dieser Region Europas wieder. Dieses handliche Buch versammelt die Höhepunkte der niederländischen Malerei vom 15. bis zum 19. Jahrhundert mit Werken von, zum Beispiel, Bosch, Rembrandt, Rubens und van Eyck. Das innovative Layout der Mega Square-Reihe hebt drei charakteristische Ausschnitte eines jeden Bildes hervor und unterstreicht damit jene Detailliebe, die so bezeichnend ist für die niederländische Malerei.