Michael H. Mitias Boeken

Czarnocka's analysis of perception serves as a foundational model for understanding the essence of existence underlying the universe. The author builds upon this framework to explore the concept of symbolic truth, examining its role as a model of explanation and its various applications beyond perception. This work delves into the interplay between perception and deeper philosophical inquiries, offering insights into how we comprehend reality.

The narrative explores the profound transformation of Nick Mitya, who breaks free from the constraints of a patriarchal and bigoted upbringing through the healing power of love. As he confronts the challenges of his oppressive culture, Nick evolves into a compassionate individual, illuminated by the truth and warmth that love provides. Simultaneously, a tender romance blossoms between German scholar Johannes Mitya and Syrian graduate Tina Sarkisian, highlighting love's role as a catalyst for personal growth and essential to human happiness.

The narrative explores the profound journey of James Amore, a philosopher seeking a personal connection with God. His quest is driven by a deep yearning for union with the divine, prompting him to confront essential questions of existence and the nature of the infinite. The book delves into the transformative experience of encountering God and the implications of such a union for a finite being.

Focusing on the essence of great artwork, the author explores key features such as magic, universality, and timelessness. While historical aestheticians have touched on these aspects, Mitias offers a comprehensive analysis and justification rooted in solid epistemological and ontological principles. He first clarifies what qualifies an artifact as art and then rigorously defends his thesis, contributing a fresh perspective to the discourse on the nature of art.

Exploring profound questions about death and its significance in human life, the narrative centers on a duel between Mowt, the god of death, and Dr. Athenaion, a champion of love. As Mowt unleashes calamities upon Dr. Athenaion, the story reveals the resilience of love amidst adversity, showcasing two blossoming love affairs within the Athenaion family. Through this conflict, the author examines the relationship between death and the enduring power of familial love.

Central to the narrative is a profound dialogue between Master Death and Dr. Adams, a philosophy professor, as they grapple with the meaning of life and the significance of death. Dr. Adams posits that understanding mortality enriches life, while also emphasizing that liberal arts education should focus on developing human character. Interwoven with these philosophical themes is a touching romance between Dr. Adams's student, David Brandon, and Dr. Lawson's daughter, adding depth to the exploration of life's worth amidst its transient nature.

Exploring the profound connection between humanity and the divine, this collection of mystical poems reveals the experience of God's presence in nature and daily life. The first part emphasizes that God's dwelling in the human heart is the source of love that enriches existence. The second part features a long poem that reflects on the transformative power of love as exemplified by Jesus's suffering on the cross, asserting that true love is an ultimate value worth sacrificing for.

Exploring the potential for dialogue among major world religions, Michael H. Mitias posits that such communication is achievable under specific conditions, including mutual respect and understanding. He examines the complexities of diverse religions, questioning how they can uniformly respect and comprehend one another while maintaining their unique doctrines. Mitias further argues that despite differing conceptions of God, all religions can recognize a shared belief in a transcendent, infinite being, paving the way for meaningful interfaith dialogue.

Exploring the philosophical novel as a distinct literary genre, the author argues for its legitimacy alongside recognized genres like mystery and romance. The book provides a thorough analysis of literary genre concepts and justifies the philosophical novel's unique status. Central to this discussion is the idea that philosophical ideas can be conveyed metaphorically, prompting an in-depth examination of metaphor and its capacity to communicate philosophical truths effectively.

Does the devil exist? Professor Andrey Adamczevski is recovering from surgery when someone invisible knocks at the door. Opening it, he meets the devil, who attacks Andrey's profound philosophical belief. Andrey has found himself in an existential predicament, stuck in his way of thinking and unable to change it. His deepest delight comes from considering the meaning of human life and the conditions under which it can be realized, while failing to recognise its day-to-day realities within his family. Despite his fear of his visitor, the resulting discussion presents Andrey with an opportunity to test his ideologies regarding life, God, the devil and their existence. In short, he is given a unique chance by the to become the devil's advocate. In the meantime, however, Andrey's family are acting as his. So, does the devil exist? Does anything? Can Andrey's philosophical views bring him the good life, or just ruin the one he has?