Kathleen Collins Boeken

Humorous, poignant, perceptive, and full of grace, Kathleen Collins's stories masterfully blend the quotidian and the profound in a personal, intimate way, exploring deep, far-reaching issues--race, gender, family, and sexuality--that shape the ordinary moments in our lives. In 'The Uncle,' a young girl who idolizes her handsome uncle and his beautiful wife makes a haunting discovery about their lives. In 'Only Once,' a woman reminisces about her charming daredevil of a lover and his ultimate--and final--act of foolishness. Collins's work seamlessly integrates the African-American experience in her characters' lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader's head and heart."--From publisher's description

"The introduction sets forth the two sets of questions that motivate this book. First, under what conditions does Islam become the language and the defining character of political opposition movements? Why has this Islamist mobilization taken place in Tajikistan and Uzbekistan, whereas in Kyrgyzstan, civil Islam-rather than Islamism-has predominated? And why have three distinct waves of Islamist organizations and movements emerged and mobilized from the 1980s through the 2010s? Second, why do some Islamist organizations achieve relatively high mobilization, attracting a mass following, whereas many others remain fringe groups, or disappear altogether? What strategies do Islamists employ to win a social base? Are ordinary people attracted to any of the multiple Islamist movements that have surfaced? The chapter also reviews the book's country cases and the Islamist movements within each country, as well as the research methodology"--

Sommergeschichten von Elke Heidenreich, Zadie Smith, Mariana Leky, Kristen Roupenian u.v.m. Faule, köstliche Nachmittage, die zwei Freundinnen mit Nichtstun verbringen, fern von ihren Männern, von denen sie unablässig reden. Unter dem Himmel tanzen im blauen Kleid, während auf der schwarzen Moldau die Schwäne schlafen. Die Schülerin Rosie, eine schweifende Seele, und auf trotzige Art verliebt in die Sonne, die Salzluft, das Tun- und Lassenkönnen. Eine Qualle am Strand finden. Der gemeinsame Urlaub in die Karibik, obwohl die Scheidungspapiere unterzeichnet sind. Ein Gartenfest, auf dem Gräfin Maria Christine heimlich den Opernsänger küsst. Das Glück kommt meist unvermittelt, wie Sommersprossen, und kribbelt im Sommer besonders schön.