Joanna Cannan was een productieve auteur wiens werk zich aanvankelijk richtte op de paardenwereld voor jonge lezers, voordat ze zich toelegde op het schrijven van detectiveverhalen voor volwassenen. Haar schrijven weerspiegelde vaak haar eigen levenservaringen en haar sterke familiebanden met de literaire wereld. Cannan stond bekend om haar gevoelige karakterportretten en meeslepende verhalen die de harten van veel lezers veroverden. Haar nalatenschap ligt in haar bijdragen aan de genres jeugdliteratuur en mysteryfictie.
Beautifully restored and complete with gorgeous charcoal illustrations, this classic story will delight any pony-mad little girlWhen her family fall on hard times, Jean and her family (including their dog Shadow) must move to the country.
Princes in the Land by Joanna Cannan is about a woman bringing up a family who is left at the end, when the children are on the verge of adulthood, asking herself not only what it was all for but what was her own life for? Yet the questions are asked subtly and readably.Having shown us how everything is made bearable for Patricia if her children can be at the centre of her life and, more important (because she is not a selfish woman) if they grow up to fulfil her ideals, Joanna Cannan proceeds to show us her happiness being slowly destroyed. In Princes in the Land the tragedy of the book is that not only do none of the three children live up to their mother’s expectations, she has to watch as each of them takes a path that is anathema to her. Yet of course, she can do nothing about it; nor, sensibly, does she try.Joanna Cannan began writing early, and her first novel was published when she was 26. From 1922 onwards she published a book a year for nearly forty years – novels; detective novels, including the very successful Death at The Dog; and the first ‘pony’ book (first in the sense that the focus was on a pony-mad girl rather than a horse or pony), a genre that her daughters Josephine, Diana and Christine Pullein-Thompson were to make very much their own. Princes in the Land is about an interesting and rarely-discussed theme; it is also evocative about Oxford.
A free-spirited widow, Bunny, marries a lord and becomes mistress of a declining estate. To save it, she accepts paying guests, leading to resentment and murder. As suspicion rises among the guests and locals, Bunny becomes the chief suspect in a web of intrigue.