Jeffrey Ladd Volgorde van de boeken (chronologisch)

Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ?one-way road trip? across the United States, weaving north and south across the Mason-Dixon line while tacking west. In A Field Measure Survey of American Architecture, Jeffrey Ladd uses the HABS archive as a surrogate in order to manifest a portrait of his former country at a moment when its democracy seems imperiled.00Inspired equally by the social documentary work of Walker Evans and the architectural interventions of Gordon Matta-Clark and others, Ladd embraces the muteness of photographs to create an ambiguous space where the sculptural, political, forensic, and fictional coalesce within a landscape of both beauty and fragility. What initially appears to be a single voice is revealed to belong to dozens of makers; what seems a description of the distant past is revealed to be closer to the present than expected. A Field Measure Survey sheds light not only on this remarkable archive but on the proliferate meanings that can be shaped from its images.

Long Live the Glorious May 7 Directive , published in 1971, is one of the key propaganda photobooks of Chairman Mao Zedong’s infamous Cultural Revolution. Illustrated with both color and black-and-white photographs taken by uncredited photographers, the book extolls the virtues of Mao’s communist ideology and purports to document the joyful, industrious effects of these ideas in action.In Long Live the Glorious May 7 Directive , smiling workers and peasants read together from Mao’s “Little Red Book” of quotations, stalwart soldiers march in unending ranks and Chinese fighter pilots conquer the open skies. Of course, history remembers the realities of Mao’s Cultural Revolution quite differently.Long Live the Glorious May 7 Directive is now extremely rare; Errata Editions’ Books on Books 20 presents this fascinating volume in its entirety with essays by Liu Ding, Carol Yinghua Lu and Shuxia Chen.