Carolyn Forchés poëzie duikt in diepgaande menselijke ervaringen en het streven naar sociale rechtvaardigheid. Haar verzen verkennen vaak de impact van oorlog en geweld, terwijl ze tegelijkertijd zoeken naar hoop en veerkracht te midden van de donkerste omstandigheden. Forché schrijft met intense empathie en een krachtig gebruik van beeldspraak dat lezers naar het hart van lijden en doorzettingsvermogen trekt. Haar werk getuigt van de kracht van taal bij het confronteren van historische trauma's en persoonlijke strijd.
Describes the author's deep friendship with a mysterious intellectual who introduced her to the culture and people of El Salvador in the 1970s, a tumultuous period in the country's history, inspiring her work as an unlikely activist.
The book opens with a series of poems about El Salvador, where ForchÉ worked as a journalist and was closely involved with the political struggle in that tortured country in the late 1970's. ForchÉ's other poems also tend to be personal, immediate, and moving. Perhaps the final effect of her poetry is the image of a sensitive, brave, and engaged young woman who has made her life a journey. She has already traveled to many places, as these poems indicate, but beyond that is the sense of someone who is, in Ignazio Silone's words, coming from far and going far.
Placed in the context of twentieth-century moral disaster--war, genocide, the Holocaust, the atomic bomb--Forche's ambitions and compelling third collection of poems is a meditation of memory, specifically how memory survives the unimaginable. These poems reflect the effects of such experience: the lines, and often the images within them, are fragmented discordant. But read together, these lines, become a haunting mosaic of grief, evoking the necessary accommodations human beings make to survive what is unsurvivable. As poets have always done, Forche attempts to gibe voice to the unutterable, using language to keep memory alive, relive history, and link the past with the future.
FINALIST FOR THE 2021 PULITZER PRIZE FOR POETRY “An undisputed literary event.” —NPR “History—with its construction and its destruction—is at the heart of In the Lateness of the World. . . . In [it] one feels the poet cresting a wave—a new wave that will crash onto new lands and unexplored territories.” —Hilton Als, The New Yorker Over four decades, Carolyn Forché’s visionary work has reinvigorated poetry’s power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to one another. Her first new collection in seventeen years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and “there is nothing that cannot be seen.” In the Lateness of the World is a revelation from one of the finest poets writing today.
Speaks of personal Slavic origins, the culture of American Indians, racial bonds, and other topics related to themes of kinship and self-identity
Exploring the theme of memory and the transition between life and death, the collection features a significant poem, "On Earth," which reflects on this passage through an abecedary format inspired by ancient gnostic hymns. Other pieces, such as "Nocturne" and "Blue Hour," delve into the complexities of recollection, portraying the struggle to grasp vivid yet elusive memories. The work captures an intense longing for the presence that lies beyond mere appearances, offering a profound meditation on existence and remembrance.
