Hermann Stiehl Volgorde van de boeken (chronologisch)

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable tale about “the end of innocence, the darkness of man’s heart.”

Exploring the pressures of societal expectations, the novel follows Laurence, a seemingly perfect woman in 1960s Paris, who juggles a successful career, a loving family, and a lover. Despite her outward success, she struggles with the relentless pursuit of perfection that has overshadowed her happiness. The turning point comes when her daughter, Catherine, begins to express her frustrations about the world's injustices, prompting Laurence to confront her own sacrifices and desires. Translated by Lauren Elkin, this work delves into themes of feminism and identity.

Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular. The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.