Sarah Churchwell Boeken

The history America never wanted you to read. 'The narrative took my breath away' Philippe Sands 'An extraordinarily and shockingly powerful read' Peter Frankopan 'One of the must-reads of the year' Suzannah Lipscomb 'Brilliant and provocative' Gavin EslerSarah Churchwell examines one of the most enduringly popular stories of all time, Gone with the Wind, to help explain the divisions ripping the United States apart today. Separating fact from fiction, she shows how histories of mythmaking have informed America's racial and gender politics, the controversies over Confederate statues, the resurgence of white nationalism, the Black Lives Matter movement, the enduring power of the American Dream, and the violence of Trumpism.Gone with the Wind was an instant bestseller when it was published in 1936; its film version became the most successful Hollywood film of all time. Today the story's racism is again a subject of controversy, but it was just as controversial in the 1930s, foreshadowing today's debates over race and American fascism. In The Wrath to Come, Sarah Churchwell charts an extraordinary journey through 160 years of American denialism. From the Lost Cause to the romances behind the Ku Klux Klan, from the invention of the 'ideal' slave plantation to the erasure of interwar fascism, Churchwell shows what happens when we do violence to history, as collective denial turns fictions into lies, and lies into a vicious reality.

SELECTED AS A 2018 SUMMER READ BY THE SUNDAY TIMES , OBSERVER , I-PAPER AND THE BIG ISSUE'Enormously entertaining' SUNDAY TIMES'Fascinating' NEW STATESMAN'Excoriating, brilliant' ALI SMITH'Enthralling' GUARDIAN'My number one contributor when it comes to US politics' DAN SNOW'The American dream is dead,' Donald Trump said when announcing his candidacy for president in 2015. How would he revive it? By putting 'America First'. The 'American Dream' and 'America First' are two of the most loaded phrases in America today - and also two of the most misunderstood. As divides within America widen, Sarah Churchwell looks to the past to reveal what the surprising history of these two phrases can tell us about today.

Kirkus offers a starred review, indicating that the book stands out in its genre. The review highlights the author's exceptional storytelling, compelling characters, and intricate plot development. It emphasizes the emotional depth and thematic richness, suggesting that readers will find both entertainment and thought-provoking insights within the pages. The positive feedback from Kirkus positions the book as a must-read for those seeking a captivating literary experience.

'Ferociously smart. A rare combination of guilty pleasure and intellectual insight' VOGUE 'Perceptive. Refreshing. Tears away layers of false readings and conspiracy theories' NEW YORK TIMES Intricately researched. Churchwell's Marilyn is a complex, well-rounded creature in the best sense - the human sense' OBSERVER There are many Marilyns: sex goddess and innocent child, crafty manipulator and dumb blonde, screen legend and Hollywood victim. In this incisive and subtle book, Sarah Churchwell looks at how the stories we tell have trivialised a woman we supposedly adore, and at what they reveal about our attitudes towards sex symbols and icons, to women, death, biography and Marilyn herself.

While F. Scott Fitzgerald was writing the novels we remember him for today, he was also publishing short stories in popular magazines such as The Saturday Evening Post and Esquire. Although many of Fitzgerald's short stories are celebrated and anthologised today, more remain out of print than would be expected for a writer of his stature. Some of these forgotten stories deserve to be rediscovered by the many readers who love Fitzgerald's work. Sarah Churchwell, author of the acclaimed Careless People: Murder, Mayhem and the Invention of The Great Gatsby, has selected twelve forgotten stories from throughout Fitzgerald's career that refract, in different ways, his most familiar motifs: the changing meanings of America in the first decades of the twentieth century, and the desire to reconcile rich and poor through a romantic search for glamour, hope and wonder. Each of these stories offers a riff on the theme of America, a world we have lost, but can hear echoes of in Fitzgerald's characteristically rich, vivid prose.

A fascinating look at the autumn of 1922, when F. Scott Fitzgerald and Zelda returned to New York and the seeds for The Great Gatsby were sown