George B. Shaw Boeken

In 2014, the contemporary painter George Shaw (b. 1966) began a two-year post as associate artist in the National Gallery, London. This book documents his experiences there, as well as the work he produced in response to the Gallery’s collection. Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, Shaw meditates on the central themes of relationships, ancestry, and love. His preferred medium, Humbrol enamel paint, is a deliberate means of distancing himself from the traditions of oil painting—and, it might seem, from the values embedded in the National Gallery itself. Yet as a teenager in Coventry, Shaw was fascinated by the Gallery, traveling regularly to London to draw from those artists he found inspiring. This engaging volume reproduces his first series of paintings on canvas, together with working drawings and an essay by the artist himself. 

Includes titles such as Buoyant Billions: A comedy of no manners, Farfetched Fables in which Shaw's thoughts simplified; Shakes vs. Shav in which puppets portray Shaw and Shakespeare - the play comprises a comic argument between the two playwrights, an intellectual Punch and Judy; and, Why She Would Not, his final play.

Features four plays that satirize such issues as marriage, civilization, military bravery, and the pursuit of man by woman.

Nobel laureate, Oscar winner, and author of more than 50 plays, Bernard Shaw is perhaps as renowned for his political views as for his awe-inspiring artistic output. A brand new selection of his writings on war bring once more to the forefront the polemical work of one of the most outspoken commentators of the early 20th century. As a cofounder of the Fabian society, an equal rights campaigner, and an ardent socialist, Shaw was never known to shy away from controversy, and was accused of treason for the 1914 publication Common Sense About the War , in which he affront patriots and the government alike. His vehemently anti-war stance was almost prophetic in its progressive nature, and holds particular resonance in today's climate of unrest.

One of his most important plays and one of the most renowned comedies, George Bernard Shaw's Arms and the Man talks about the 1885 Serbo-Bulgarian War. The story revolves around the incident of a Swiss soldier fighting in the Serbian army who bursts into a young Bulgarian woman's bedroom and begs her to hide him. A crafted combination of wit and humour, this classic is an epitome of a satire on the typical values about war, morality, love and class.

Includes the plays Arms and the Man, The Man of Destiny, and You Never Can Tell. schovat popis

'A lifetime of happiness! No man alive could bear it: it would be hell on earth' After the death of her father, Ann Whitefield becomes the joint ward of two men: the respectable Roebuck Ramsden and John Tanner, author of 'The Revolutionist's Handbook'. Believing marriage would prevent him from achieving his higher intellectual and political ambitions, Tanner is horrified to discover that Ann intends to marry him, and flees to Spain with the determined young woman in hot pursuit. The chase even leads them to the underworld, where the characters' alter egos discuss questions of human nature and philosophy in a lively debate in a scene often performed separately as 'Don Juan in Hell'. In Man and Superman, Shaw combined seriousness with comedy to create a satirical and buoyant exposé of the eternal struggle between the sexes. This is the definitive text under the editorial supervision of Dan H. Laurence. This volume includes Shaw's Preface of 1903 and his appendix, 'The Revolutionist's Handbook', the cast list from the first production of Man and Superman and a list of his principal works.

Includes the plays Widowers' Houses, The Philanderer, and Mrs Warren's Profession. schovat popis

Rife with such 'beyond opinions', as an Anglo-Irish Protestant, a Dubliner in London, and a socialist living in the aftermath of the industrial revolution.

Raises doubts on how seriously we can take Shaw as a political thinker. This title states that despite writing in the 1930s, he has little to say of the nature of totalitarianism. It shows that although he satirises Fascist dictators in Geneva, the satire is disappointingly mild.