D. Harlan Wilson Volgorde van de boeken

Exploring Friedrich Wilhelm Nietzsche's overlooked Native American heritage, D. Harlan Wilson challenges traditional perceptions of the philosopher by presenting him as a person of color and a "gay scientist." Drawing from extensive research, this work reframes Nietzsche's identity, emphasizing his Cherokee roots and early-American lineage while sidelining his struggles with mental health and Christian morality. This provocative examination promises to reshape Nietzsche Studies, offering a bold and transformative perspective on a figure often confined to conventional narratives.

In his study of "The Stars My Destination," D. Harlan Wilson argues for the enduring relevance of Alfred Bester’s work, analyzing its style, influences, and metafictional elements. He portrays Bester as both a product and innovator of the genre, emphasizing psychological depth and literary experimentation. Wilson links Bester's vision to contemporary issues in science fiction.

The collection features D. Harlan Wilson's unique blend of dark humor and surrealism, showcasing his latest dramatic works. In "Jackanape," a murderous dinner jacket disrupts a community of narcissists navigating life's challenges. "The Fingermen" presents a support group for individuals who have lost an index finger, revealing their insecurities amidst absurdity. Wilson's sharp satire explores themes of self-delusion and insanity, oscillating between hilarity and solemnity, prompting audiences to reflect on contemporary existence.

Set in a future dominated by cinema, an aging movie star undergoes a radical transformation by growing the flesh of a kaiju onto his body. As he grapples with this physical change, he is also haunted by the characters he has portrayed, which clash for dominance over his identity. Amidst this turmoil, he faces the destructive forces of alcoholism, ultraviolence, and psychosis, all while being targeted by media agents. The narrative explores themes of identity, reality versus illusion, and the dark side of fame, culminating in the tantalizing promise of eternal life.

Prophetic short stories and apocalyptic novels like The Crystal World made J. G. Ballard a foundational figure in the British New Wave. Rejecting the science fiction of rockets and aliens, he explored an inner space of humanity informed by psychiatry and biology and shaped by Surrealism. Later in his career, Ballard's combustible plots and violent imagery spurred controversy--even legal action--while his autobiographical 1984 war novel Empire of the Sun brought him fame. D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling, directions. Here was a writer committed to moral ambiguity, one who drowned the world and erected a London high-rise doomed to descend into savagery--and coolly picked apart the characters trapped within each story. Wilson also examines Ballard's methods, his influence on cyberpunk, and the ways his fiction operates within the sphere of our larger culture and within SF itself.

Imagery of glowing clouds above a forest fire evokes a surreal and thought-provoking atmosphere, suggesting a blend of nature and intellect. The narrative likely explores themes of destruction, creativity, and the intersection of human thought with the natural world. Expect a unique perspective that intertwines mathematical concepts with vivid environmental elements, leading to a deeper reflection on the consequences of human actions and the beauty of the world around us.

"Born out of the cultural flamboyance and anxiety of the 1980s, 'They Live' (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler 'Rowdy'; Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of 'They Live' from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly 'Big 80s'; Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape"--P. [4] of cover.

Exploring the author's ego rather than traditional biographies, this book offers a unique perspective on historical figures. Rather than focusing on their lives, it serves as a whimsical journey through the author's interpretations and reflections, challenging readers to reconsider the nature of biography itself. Expect a blend of humor and insight that strays from conventional narratives about well-known personalities like Freud, Douglass, and Hitler, inviting readers to engage with a more personal and imaginative take on these iconic figures.

Exploring the author's ego rather than traditional biographies, this work offers a unique perspective on historical figures like Freud, Douglass, and Hitler. It presents a satirical take, emphasizing personal interpretations over factual narratives. Readers seeking conventional biographies will find this approach unconventional, as it prioritizes the author's reflections and insights instead of detailed accounts of the figures' lives.

The story follows a professor whose toxic approach to teaching leads to his return to graduate school for a second chance at his Ph.D. Amidst a chaotic academic environment filled with absurdities, he grapples with the challenges of being a student while exerting his domineering will on those around him. D. Harlan Wilson employs his signature "Hörnblower" style to critique the absurdities of academia, exploring deep themes of existence and identity through a darkly humorous lens.