This Element supports the Computational Theory of Mind by its contribution to solving the mind-body problem, its ability to explain mental phenomena, and the success of computational modelling and artificial intelligence.
Focusing on the reactions of ordinary Arab-speaking social media users to Islamic State propaganda, this book shifts the narrative from the typical analysis of IS's targeting strategies. It provides a detailed examination of the Arabic discourse surrounding IS from its peak in October 2014 to the fall of Raqqa in September 2017. Analyzing approximately 29 million Arabic tweets, the authors highlight recurring themes and key events, offering insights into the evolving political landscape and the dynamics of online conversations between IS and its adversaries.
Sono passati cinquant'anni da quando è stato scritto, ma continuiamo a vederlo, Holden Caufield, con quell'aria scocciata, insofferente alle ipocrisie e al conformismo, lui e la sua "infanzia schifa" e le "cose da matti che gli sono capitate sotto Natale", dal giorno in cui lasciò l'Istituto Pencey con una bocciatura in tasca e nessuna voglia di farlo sapere ai suoi. La trama è tutta qui, narrata da quella voce spiccia e senza fronzoli. Ma sono i suoi pensieri, il suo umore rabbioso, ad andare in scena. Perché è arrabbiato Holden? Poiché non lo si sa con precisione, ognuno ha potuto leggervi la propria rabbia e assumere il protagonista ad "exemplum vitae".
Terwijl de zomer van 2004 op zijn einde loopt, proberen zakenpartners en beste vrienden Archy Stallings en Nat Jaffe hun platenzaak van de ondergang te redden. Brokeland Records op Telegraph Avenue in Californië is het laatste bastion tegen alles wat naar vooruitgang riekt - er wordt alleen vinyl verkocht en espressomachines komen er niet in. De toonbank is een verzamelplaats en hangplek voor buurtbewoners. Ondertussen hebben hun echtgenotes Gwen Shanks en Aviva Jaffe-Roth het druk met hun vroedvrouwenpraktijk en vechten ze tegen de heersende vooroordelen; nee, ze beoefenen écht geen voodoo. Gwen verwacht haar eerste kindje en komt erachter dat haar man Archy er een affaire op nahoudt. Aviva en Nat proberen hun puberzoon Julius in het gareel te houden, maar moeten lijdzaam toezien dat hij de beste vriend wordt van Titus, een zonderlinge jongen. Dan opent een megastore zijn deuren en dreigt Brokeland Records van de kaart te worden geveegd. De onderlinge verhoudingen komen op scherp te staan en allemaal moeten ze kiezen: jeugddromen blijven najagen of volwassen worden.
As thirteen-year-old Madison tries to figure out how she died and ended up in Hell, she learns how to manipulate the corrupt system of demons and bodily fluids.
NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review
Agent number 67, nicknamed Pygmy for his small stature, arrives in the U.S. as an "exchange student" from a totalitarian regime reminiscent of North Korea, Cuba, Communist China, and Nazi Germany. His mission, codenamed Operation Havoc, is critical for success. Upon arrival at a Midwestern airport, he notes that fellow operatives Tibor, Magda, and Ling have already infiltrated American society, embedding themselves within middle-income families across the city. Pygmy is welcomed by his host family: a father working in the biological weapons industry, a mother with peculiar traits, a brother with a dog-like demeanor, and a self-assured cat sister. As he navigates the absurdities of postmodern American life, he views it all with disdain. Indoctrinated into the totalitarian mindset, Pygmy and his fellow operatives are plotting something catastrophic that aims to bring this complacent nation to its knees. The strategy involves a web of operatives, each positioned within their respective homes, schools, and neighborhoods, ready to execute their plan and expose the vulnerabilities of their unsuspecting hosts.
