John Kruse Boeken

The revived cult of Pan recognizes him as the god of fields, groves and wooded glens. This connects him to fertility and the season of spring, with his entourage of fauns and satyrs pursuing and copulating with woodland nymphs.The word panic also ultimately derives from the god's name. He is the eponymous Piper at the Gates of Dawn in The Wind in the Willows. In the late 19th century Pan became an increasingly common figure in literature and art. and there was an astonishing resurgence of interest in the Pan motif. He appears in poetry, in novels and children's books, and is referenced in the name of the character Peter Pan.The conception of Pan has continued to evolve. He is now seen by many as an eco-guardian, a protector of the landscape and natural resources from human depredations. He remains a relevant and vital figure.

This book pulls together everything we know about how things work in Faery. The information is scattered across many narratives, but once it is assembled, we discover we have a detailed picture of their politics and economy. Much of this is entirely independent of human affairs. References from old books and oral traditions as well as the authors personal knowledge combine to make this a comprehensive work.

This book is founded squarely upon an acceptance that faeries have a tangible physical reality and that we can describe them medically and biologically, in just the same manner as may be done for any other living being. It is, therefore, to some degree a natural history of faery kind, but it is limited to an examination of their bodies. A text that looks at the actual physicality of fairies- their anatomies, physiologies, even their psychology.

Enter the world of faery and discover the amazing possibilities that come from living and working with the Good Folk. This remarkable book is both a folkloric resource and guide to residing near our magical neighbours.

Provides detailed descriptions of more than 60 magical creatures, including descriptions of their appearance, habitat, behaviours, and mythological references

Recent legislative changes in the UK have necessitated a comprehensive update to the handbook on debt enforcement. The Tribunals, Courts and Enforcement Act 2007 introduces significant reforms, replacing previous common law rules with new statutory powers outlined in Schedule 12. This third edition provides practitioners with essential guidance on navigating the revised legal framework and understanding the implications of the statutory code on debt enforcement practices.

The book explores multiple motivations behind its creation, delving into themes of personal growth, societal impact, and the quest for understanding. It aims to engage readers by presenting thought-provoking ideas and insights that encourage reflection on various aspects of life. Through its narrative, the author seeks to inspire and challenge conventional thinking, making it a compelling read for those interested in self-discovery and broader existential questions.

This new book provides an introduction to the use of the courts for the recovery of debts, such as trade debts owed to companies, firms and sole traders; personal debts owed between individuals; rent arrears due from former tenants and rent unpaid under a money judgment made in conjunction with a possession order; and Employment Tribunal awards.

The goddess of love, Aphrodite - or Venus, or Astarte - she has had many names. She is the goddess of life, fertility and renewal, but she is also the patroness of carnal "a thousand honey secrets thou shalt know" is her promise to the boy Adonis in Shakespeare's poem about the pair. Incredibly, perhaps, he resists this offer- but most of us do not. The enduring role of the goddess in human sex and passion is well known, but how well is she suited for love and sexuality in the modern world? To understand that, we must trace something of her origins, and focus our attention on the way in which more recent writers and artists have imagined her.

There is a distinct tendency today to assume that faery kind are friendly and helpful towards us humans. The evidence of over one thousand years experience, preserved in British folk tradition, tells a very different story. British faeries are (like humans) selfish, greedy, violent and cruel. What makes things worse, of course, is the fact that they have magical powers too.