Hugh Allan Boeken

Tanya embarks on a gripping journey fueled by revenge against a powerful Russian adversary. As she navigates a world of danger and deception, her quest for justice reveals deep-seated betrayals and complex alliances. The narrative explores themes of resilience, loyalty, and the consequences of vengeance, all while immersing readers in a tense atmosphere filled with unexpected twists. Tanya's determination to confront her past drives the story forward, leading to a thrilling climax that challenges her beliefs and choices.

This collection presents a series of church sermons from 1875, offering timeless insights and reflections on spiritual truths. The reprint maintains the integrity of the original text, allowing readers to engage with historical perspectives on faith and morality. Through these sermons, readers can explore the enduring relevance of religious teachings in contemporary life.

The book is a facsimile reprint of a scarce antiquarian work, preserving its historical significance despite potential imperfections like marks and flawed pages. It aims to protect and promote important literature by making it accessible in high-quality modern editions that remain true to the original.

This collection of short stories immerses readers in thrilling adventures across diverse landscapes, from the Great Oil Escapade spanning England to Asia, to explorations in the Amazon jungle. It features scientists grappling with profound questions while journeying from Antarctica to Jupiter. The narrative also follows the suspenseful chase of a munitions thief across Northern Europe, culminating in a dramatic ship explosion. Lastly, it reflects on the author's nostalgic road trip around Australia in 1967, capturing a sense of freedom and uncertainty.

This book is a creative guide to the making of arguably the most extraordinary art object to be made in the 21st century. Published to accompany the 2007 exhibition "Damien Hirst: Beyond Belief" at White Cube, it gives a fascinating pictorial insight into how Hirst's diamond skull piece "For the Love of God" was conceived and produced. Illustrated with candid behind-the-scenes photographs by Johnnie Shand Kydd, the book includes a number of preparatory drawings by Damien Hirst and a fold-out image of the diamond skull. Accompanying this is an essay by the art historian Rudi Fuchs, who writes, "The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death." A number of leading experts in the fields of archeology and dentistry have also contributed detailed studies on the diamond skull, including analyses of its age and ancestry.

The visual candy paintings' were made between 1992 and 1994. The works showcase the ways in which Damien Hirst used the signifier of candy during the early 1990’s, exploring questions of pure aesthetics. Addressing the viewer on a deliberately emotional and instinctive level, these works, abetted by their exuberant titles, among them Some Fun (1993) and Dippy Dappy Dabby (1993), set out to question the implication that aesthetically pleasing art is inherently insignificant.0.

Damien Hirst: Colouring Book features the British artist's most iconic works rendered as simple line drawings. Coloring fans of all ages can immerse themselves in themes and motifs found within some of the artist's most enduring series, including anatomical models, butterflies, medicine cabinets, spin paintings, color charts and kaleidoscope paintings. Featuring Hirst's most popular images, including "The Incomplete Truth," "Myth," "Loving in a World of Desire," "Hymn," "For the Love of God," "Benevolence" and more, the volume brings some of the most controversial and groundbreaking work of contemporary art to a witty coloring-book format.

"A revealing collection of quotations from world-renowned artist Damien HirstHirst-isms is a collection of quotations-bold, surprising, often humorous, and always insightful-from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde.Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst's early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist.Select quotations from the book:"The less I feel like an artist, the better I feel.""I like it when people love my art. I like it when people hate my art. I just don't want them to ignore my art.""Painting's like the most fabulous illusion, because there's nothing at stake. Except yourself.""I'm interested in the confusion between art and life, I like it when the world gets in the way.""Sometimes you have to step over the edge to know where it is.""-- Provided by publisher