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Kim Paffenroth

    Deze auteur duikt in bijbelse en theologische onderwerpen, met werken die de diepere betekenissen van religie verkennen. Zijn aanpak combineert academische analyse met meeslepende verhalen, waardoor lezers een uniek perspectief op geloof en de manifestaties ervan krijgen. In zijn schrijven richt de auteur zich op het onderzoeken van de menselijke conditie via religieuze en filosofische concepten. Zijn werk nodigt uit tot reflectie over de blijvende vragen van het bestaan.

    On King Lear, The Confessions, and Human Experience and Nature
    Dying to Live
    • Dying to Live

      A Novel of Life Among the Undead

      • 218bladzijden
      • 8 uur lezen
      3,8(3078)Tarief

      Jonah Caine, a lone survivor in a zombie-infested world, struggles to understand the apocalypse in which he lives. Unable to find a moral or sane reason for the horror that surrounds him, he is overwhelmed by violence and insignificance. After wandering for months, Jonah's lonely existence dramatically changes when he discovers a group of survivors. Living in a museum-turned-compound, they are led jointly by Jack, an ever-practical and efficient military man, and Milton, a mysterious, quizzical prophet who holds a strange power over the dead. Both leaders share Jonah's anguish over the brutality of their world, as well as his hope for its beauty. Together with others, they build a community that reestablishes an island of order and humanity surrounded by relentless ghouls. But this newfound peace is short-lived, as Jonah and his band of refugees clash with another group of survivors who remind them that the undead are not the only-nor the most grotesque-horrors they must face.

      Dying to Live
    • Augustine's Confessions and Shakespeare's King Lear are two of the most influential and enduring works of the Western canon or world literature. But what does Stratford-upon-Avon have to do with Hippo, or the ascetical heretic-fighting polemicist with the author of some of the world's most beautiful love poetry? To answer these questions, Kim Paffenroth analyses the similarities and differences between the thinking of these two figures on the themes of love, language, nature and reason. Pairing and connecting the insights of Shakespeare's most nihilist tragedy with those of Augustine's most personal and sometimes self-condemnatory, sometimes triumphal work, challenges us to see their worldviews as more similar than they first seem, and as more relevant to our own fragmented and disillusioned world.

      On King Lear, The Confessions, and Human Experience and Nature