Lesley Krueger is een bekroonde Canadese romanschrijver en filmmaker, wiens werken worden gekenmerkt door een scherp inzicht in de menselijke psyche en maatschappelijke kwesties. Door haar meeslepende stijl en rijke taal verkent ze complexe relaties en universele thema's. Haar schrijfstijl wordt vaak omschreven als historisch geplaatst, maar altijd met een tijdloze resonantie die hedendaagse lezers aanspreekt. Krueger weeft meesterlijk verhalen die zowel uitdagend als boeiend zijn en een blijvende indruk achterlaten bij de lezer.
The narrative follows a clever young woman, Eleanor, who embarks on a romantic journey with a handsome soldier, Robin. Their love story is marked by both romance and misunderstandings, enhanced by the unique twist of time travel. Eleanor experiences these temporal shifts alone, adding complexity to their relationship as she navigates the challenges of love across different eras.
Charlotte Bronte and Charles Dickens get involved with Richard Dadd, a brilliant but troubled artist being held in Bedlam. A riveting story of talent and the price it exacts, set in a richly imagined Victorian England.
He who would bring home the wealth of the Indies must carry the wealth of the Indies with him. – Spanish proverbLesley Krueger started travelling the moment she was old enough to get on planes, trains and buses by herself. Propelling her was the knowledge that her two immigrant grandmothers had never felt at home in the New World. They remained foreigners in places that often baffled them. What was it like, being a foreigner? She wanted to know.Weaving her own travel stories in with her grandmothers’ tales, Lesley explores the idea of home and away. Expatriation, the nature of being foreign, the importance of feeling part of a community: these things become crucial as she travels through India, Brazil, Mexico, Japan and both the U.S. and Canada. Sometimes things get funny: spending the night in a cheap hotel that proves to be a small-town brothel. Sometimes she meets danger: jaguar poachers in Brazil. Then there’s the time she finds herself on a Twin Otter flying through a storm in Labrador, and discovers the reason the plywood floor has holes in it. Some people say we displace ourselves not to find what we’re looking for, but to find out what we’re looking for. Whatever the reason, it’s clearly visceral. We say we push off, hit the road, pull up roots, take off. Hit, pull, take, push—potent verbs, gut expressions.Birth is like that, a push from the gut. Fascinating, when you consider the New World obsession with being born again. Her grandmothers never were. Except, perhaps, in these searching words.