Robert Polito is een Amerikaanse academicus, criticus en dichter die zich verdiept in de duistere kanten van de menselijke psyche en de spanning tussen kunst en leven. Zijn poëtische stijl staat bekend om zijn precisie en doordringendheid, en behandelt vaak thema's als obsessie, geweld en de aard van de werkelijkheid. Polito richt zich op de analyse van de manieren waarop artistieke werken worden gevormd en beïnvloed door de geleefde ervaringen van hun makers, en onthult zo de ingewikkelde relaties tussen de kunstenaar, zijn kunst en de maatschappij.
A Biography of Jim Thompson (National Book Critics Circle Award Winner)
560bladzijden
20 uur lezen
The book delves into Thompson's complex relationships, particularly with his father, a fallen sheriff, and the women who inspired both his love and his darker narratives. It explores themes of addiction, censorship, and the influence of Hollywood on his work. Through a blend of empathy and unflinching honesty, it illuminates the more shadowy aspects of human nature, making it a poignant tribute to a distinctive American voice. Accompanied by 57 photographs, it offers a rich visual context to Thompson's life and art.
Manny Farber (1917–2008) was a distinctive American movie critic known for his concept of "termite art," which emphasizes focused, eccentric virtuosity over grandiosity. His unique prose style, characterized by jazz-like phrasing and vibrant twists, made each review an engaging experience. Esteemed by peers, Susan Sontag hailed him as "the liveliest, smartest, most original film critic," while Peter Bogdanovich praised his sharp perceptions and brilliance. Farber was an early supporter of many filmmakers who later became American masters, such as Val Lewton, Preston Sturges, and Samuel Fuller. As a talented painter, he infused his writing with an artist's perspective, keenly recognizing filmmakers dedicated to "go-for-broke art." He openly criticized pretension, rejecting directors who overwhelmed viewers with "wet towels of artiness." The essence of his criticism lies in the attentive exploration of each film's unfolding reality, capturing its complexities and nuances. His prose embraces "oddities, muddles, crises, contradictions," resulting in critical essays that are works of art themselves. This collection presents Farber's complete works, including early reviews and later essays on directors like Godard and Scorsese, alongside an introduction by Robert Polito that reflects on Farber's career and lasting impact on American criticism.
