Kobena Mercer Boeken

Focusing on Alain Locke's role as a critic during the Harlem Renaissance, this work provides innovative insights into the development of African American modernism. It explores the cross-cultural influences that shaped Locke's perspectives and contributions, shedding light on the interconnectedness of various artistic movements. Through this examination, the book redefines Locke's significance in the broader context of American literature and culture.

This book looks at the works of James VanDerZee, who "was the pre-eminent studio photographer of African-American life in the years between the two World Wars." - page 3.

Focusing on the intricate and multi-faceted creations of Hew Locke, this monograph delves into the artist's unique perspective and thematic explorations. It offers an in-depth analysis of his work, highlighting the cultural and historical influences that shape his art. Through a comprehensive examination, readers gain insight into Locke's innovative techniques and the narratives embedded within his pieces, making it a valuable resource for understanding his contributions to contemporary art.

How does pop art translate across cultures? What does pop art look like through a postcolonial lens? This volume casts light on the aesthetics and politics of pop by taking a cross-cultural perspective on what happens when everyday objects are taken out of one context and repositioned in the language of art

In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race.