Frank McCourt Volgorde van de boeken (chronologisch)

Der kleine Frank erzählt die Geschichte seiner irisch-katholischen Familie, die dem tristen Leben im New York der 1930er entflieht und in der jungen Republik Irland einen Neustart wagt. Limerick wird ihre neue Heimat, doch das Leben dort gestaltet sich äußerst schwierig. Es gibt kaum Arbeit und zu allem Überdruss vertrinkt Franks Vater das Geld, das die Familie so dringend zum Leben braucht.

"When my mother, Angela, was six years old, she felt sorry for the Baby Jesus in the Christmas crib at St. Joseph's Church near School House Lane where she lived...."* * * *Frank McCourt's Pulitzer Prize-winning memoir "Angela's Ashes" is a modern classic. Now he has written a captivating Christmas story about Angela as a child -- often cold and hungry herself -- compelled to rescue the Baby Jesus and take him home. This story is pure McCourt -- genuine, irreverent and moving.It is elegantly illustrated by two-time Golden Kite Award winner Loren Long and is the perfect Christmas story for all ages.

'Eats, Shoots & Leaves' adopts a militant approach to punctuation and attempts to recruit an army of vigilantes who will send letters back with the punctuation corrected, not accept sloppy emails, and climb ladders with pots of paint to remove redundant apostrophes from signs.

Herinneringen van de Iers-Amerikaanse schrijver aan zijn dertigjarig leraarschap aan verschillende scholen in New York.

3 Book Set. After Frank McCourt wrote the award winning Angela's Ashes he went on to write these two subsequent books about his life.

A serial novel by 15 of the brightest talents in Irish writing (including Marian Keyes, Pauline McLynn, Gina Moxley and Frank McCourt), telling an elaborate tale of murder, mayhem and literary shenanigans in present-day Dublin. Approximately #1 from every copy sold will go to Amnesty International.

The sequel to Frank McCourt's memoir picks up in October 1949, when he returns to America after his family had moved back to Ireland due to poor prospects. Now an awkward 19-year-old with a "pimply face, sore eyes, and bad teeth," he feels out of place among the confident college students he encounters. His American experience is initially as harrowing as his impoverished youth in Ireland, marked by two of the bleakest Christmases ever depicted. McCourt's sharp eye and dark humor illuminate the challenges he faces, including race prejudice, casual cruelty, and dead-end jobs, as he seeks a way out. A glimmer of hope emerges through the army, where he gains white-collar skills, and New York University, which accepts him without a high school diploma. However, his path to teaching creative writing at Stuyvesant High School is fraught with difficulties. McCourt's exceptional openness to human emotion allows even the most troubled individuals he meets to be richly portrayed, fostering a sense of uncomfortable kinship. His magical prose, infused with Irish cadences, elevates even the most sorrowful events, culminating in a poignant final scene in a Limerick graveyard.

Vijftien Ierse auteurs. Moord en doodslag, onveilige seks, schoonmaakartikelen en een gestolen manuscript. En een goed doel. Doodslag in Dublin is een zeer bijzondere, geestige en briljante literaire thriller; als ook een combinatie van satire en hilarische serie-roman. Het goede doel: een belangrijk deel van de opbrengst van het boek zal naar Amnesty International gaan. Vanaf het eerste hoofdstuk. geschreven door niemand minder dan Roddy Doyle, tot en met het laatste, van de hand van Frank McCourt, wordt de lezer in Doodslag in Dublin meegevoerd op een onvergetelijke speurtocht naar een literaire schat met een geheime formule.