Bill Johnston is een vooraanstaand vertaler van Poolse literatuur, die klassieke en hedendaagse Poolse poëzie en fictie toegankelijk heeft gemaakt voor een Engelssprekend publiek. Zijn vertalingen kenmerken zich door een diepgaand begrip van linguïstische nuances en culturele context, waarbij de unieke stemmen van de oorspronkelijke auteurs getrouw worden behouden. Johnston's werk verrijkt het wereldwijde literaire landschap aanzienlijk door culturele kloven te overbruggen door middel van kunst. Zijn toewijding aan het presenteren van Poolse literaire tradities bevordert bredere internationale waardering en begrip.
During his travels in Albania, Stasiuk listens to Fado, reflecting its melancholy and gentle defiance. His 24 meditative narratives span from southern Poland to Montenegro, exploring themes of mobility and escape from one's history. He suggests that travel, especially in the footsteps of admired writers, is a profound pilgrimage that enriches life.
A Warsaw sociologist is summoned to Geneva to participate in an oral-history project about the collapse of Eastern European communism and resolves to tell his own story through a gallery of portraits of the many women he has loved. These reminiscences emerge against the broader canvas of circumstances and events that have shaped the past sixty years of Poland's turbulent, tragic history. Soon he finds himself inexorably drawn to his interrogator from the "free" world, the chronicler of his life, the keeper of his secrets, and his heart's last hope for redemptive love. Self-Portrait with Woman is at once a haunting and lyrical portrait of a man, of a country, and of the twilight years of an era.