Céleste Albaret was Marcel Proust's housekeeper in his last years, when he retreated from the world to devote himself to In Search of Lost Time. She could imitate his voice to perfection, and Proust himself said to her, "You know everything about me." Her reminiscences of her employer present an intimate picture of the daily life of a great writer who was also a deeply peculiar man, while Madame Albaret herself proves to be a shrewd and engaging companion.
Professor Ilya Zbarski mummified Lenin two months after his death to maintain the Soviet founder's body in perpetuity. Between 1924 and the fall of communism in 1991, hundreds of millions of visitors paid their respects to the embalmed bodies of Lenin and later, Stalin. This text reveals the story of Zbarski, his family and of those who worked in the mausoleum laboratory. Lenin's body was plunged into a secret solution based on glycerine and potassium acetate. This story, unthinkable except in a totalitarian regime, is also that of the burgeoning Soviet Union and those who, disregarding Stalin and his growing antisemitic paranoia, believed that working in the shadows of the mausoleum would protect them forever. Abandoned by the State since 1991, the laboratory can only survive through the patronage of the "nouveaux riches" and the Russian mafia dynasties. The text includes both archival and contemporary photographs.
Recounts the conflicts surrounding Lacan's break with the institutional framework of Freudian orthodoxy, the popularity of Lacanianism in the 1960s and 1970s, and its encounters with the women's movement
A beautiful gift edition of this classic fable about one man's quest to create a forest. In 1910, while hiking through the wild lavender in a wind-swept, desolate valley in Provence, a man comes across a shepherd called Elzéard Bouffier. Staying with him, he watches Elzéard sorting and then planting hundreds of acorns as he walks through the wilderness. Ten years later, after the war, he visits the shepherd again and sees the young forest he has created spreading slowly over the valley. Elzéard's solitary, silent work continues and the narrator returns year after year to see the miracle he is gradually creating: a verdant, green landscape that is a testament to one man's creative instinct.
A semi-autobiographical novel exploring the anarchic nature of passion, the traumas of childhood and the legacy of the Holocaust. Threatened with allusions to her life's work, this melancholic and dreamlike novel is typical of the novelist.
Cuarenta y un años después de publicar su primera novela, Marguerite Duras se convierte de la noche a la mañana, con el amante, en una autora solicitada por todos los públicos. Y, además, recibe poco después, en noviembre de 1984, el prestigioso premio Goncourt. A todos emociona sin duda esta narración autobiográfica en la que la autora expresa, con la intensidad del deseo, esa historia de amor entre una adolescente de quince años y un rico comerciante chino de veintiséis.
Begin veertiende eeuw onderwierp de Inquisitie een afgelegen bergdorp in de Pyreneeën aan een grondig onderzoek. Dat dorp, Montaillou, telde niet meer dan zo'n 250 inwoners, voornamelijk boeren en herders.Jacques Fournier, de ambitieuze bisschop van Pamiers, die het later zelfs tot paus van Avignon bracht, leidde het onderzoek. Doel was de uitbanning van de ketterij, speciaal die van de Katharen of Albigenzen.De zwervende herders van Montaillou, die hun kudden afwisselend in de bergen en in de Spaanse vlakten lieten grazen, verspreidden de dwaalleer en vormden dus een gevaar.Geen ketter was veilig voor deze middeleeuwse Maigret die zijn slachtoffers meer liet vertellen dan ze eigenlijk kwijt wilden. Alle dorpsgeheimen legde hij bloot, alles werd genoteerd, het intieme leven van de herder en de vrijbuiter Pierre Maury, het ongeremde liefdesleven van de gewetenloze dorpspastoor, ketter en verklikker tegelijk, de licht ontvlambare hartstocht van burchtvrouw Beatrice de Planissoles.Montaillou ging gebukt onder de tirannieke clan van de Clerques en de heerszucht van de geestelijkheid. Maar er is meer dan dat.
In the early 1970s Harold Pinter joined forces with director Joseph Losey and Proust scholar Barbara Bray to develop a screenplay of Proust's masterpiece, Remembrance of Things Past. Pinter took more than a year to conceive and write the screenplay and called the experience "the best working year of my life." Although never produced, Harold Pinter's The Proust Screenplay is considered one of the greatest adaptations for the cinema ever written.With fidelity to Proust's text, the screenplay is an extraordinary re-creation by one of the leading playwrights of our time. It is, in its way, a unique collaboration between two extraordinary writers united across more than half a century and two different cultures by a special concern for time and memory.
