Cedric Thomas Watts Volgorde van de boeken (chronologisch)

"Three Men in a Boat" describes a comic expedition by middle-class Victorians up the Thames to Oxford, and "Three Men on the Bummel" records a similar escapade - a break from the claustrophobia of suburban life some ten years later, as they take a cycling tour in the Black Forest.

Notes on the story, language, construction, and background accompany the text of the play about the conspiracy to assassinate Caesar.

In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the worlds dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeares most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmanns cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play. This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of double time. 'Honigmann's extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.' Brian Vickers, Review of English Studies

Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths John Sutherland and Cedric Watts Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genuius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, Star Trek and much else. Shrewd and entertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare.

Professor Watts’s study examines the main phase in Joseph Conrad’s literary development.

Dit is het verhaal van een stad, twee families en twee geliefden, Romeo en Julia. Het verhaal is al heel oud en door allerlei mensen in verschillende landen en verschillende talen verteld. Sommigen hebben er een gedicht van gemaakt en anderen een prozaverhaal. Maar het is onder andere ook bewerkt in de vorm van liederen, een balletuitvoering en films. In London bracht William Shakespeare dit verhaal tot leven de jaren negentig van de zestiende eeuw.

A new look at Shakespeare's play in accordance with the work of the Shakespeare and Schools Project, the National Curriculum for English, developments at GCSE and A-level, and the probable development of English and Drama throughout the 1990s. Cambridge School Shakespeare considers the play as theatre and the text as script, enabling pupils to inhabit the imaginative world of the play in an accessible, meaningful and creative way. Cambridge School Shakespeare approaches the plays in a new way, encouraging students to participate actively in examining them, to work in groups as well as individually, to treat each play as a script to be re-created, and to explore the theatrical/dramatic qualities of the text. The editorial comments cater for pupils of all ages and abilities, providing clear, helpful guidelines for school study. The format of the plays is also designed to help all teachers, whether experienced or inexperienced. NB This replaces the information previously issued.

Set aboard the Narcissus, a merchant ship journeying from Bombay to London, the novella explores the tensions among the crew as they grapple with the illness of a West Indian sailor suffering from tuberculosis. While some crew members exhibit compassion and take on additional duties to care for him, others question the severity of his condition, leading to a conflict that reveals deeper themes of humanity, duty, and the fragility of life at sea. Joseph Conrad delves into the complexities of human relationships in this poignant narrative.

Contains four stories, written between 1900 and 1902. One of them reveals the differences between instinct and intelligence in a partnership vital to human survival; and the other contains 'land-stories' that explore the utter isolation of an East European emigrant in England and in the other, the plight of a woman.