Geoff Dyer Boeken

From Here to There: Alec Soth’s Americ a zeigt erstmals das komplette Spektrum des Werkes von Alec Soth (*1969 in Minneapolis), einem der interessantesten Vertreter der zeitgenössischen Fotografie, dessen fesselnde Bilder vom Alltag in Amerika kraftvolle erzählerische Vignetten darstellen. Neben mehr als 200 Fotografien des Künstlers aus den letzten 15 Jahren enthält die Publikation neue kritische Essays, die Hintergrundinformationen zum Arbeitsprozess des Künstlers bieten, zur fotografiegeschichtlichen Tradition, die seiner Praxis zugrunde liegt, sowie Überlegungen zu seiner neuesten Werkserie. Zusätzlich beinhaltet der Katalog ein 48-seitiges Künstlerbuch mit dem Titel The Loneliest Man in Missouri: ein fotografischer Essay mit kurzen, tagebuchähnlichen Texten, der die Banalität und Langeweile städtischer Randgebiete im Mittleren Westen mit ihren Restaurantketten, Striplokalen und Parkanlagen rund um Bürogebäude einfängt. Ausstellungen: Walker Art Center, Minneapolis 12.9.2010–2.1.2011 Und weitere Stationen

In a series of fictional portraits, Geoff Dyer captures the beating heart of jazz, its pathos and lyricism, urgency and self-destruction: Charlie Mingus in New York; Art Pepper in prison; Lester Young in the Alvin; Bud Powell in Paris. 'Drawing on how he hears the music of people like Mingus, Monk, Bud Powell, Art Pepper and Lester Young, Dyer has constructed eight variations like highly concentrated novels, 80 per cent proof swigs of fiction. The result, I think, is brilliant...His attempts to recreate the drug-fogged, music-drenched, reality-melting, racism-crazed insides of the minds of people like Powell, Mingus, Webster and Chet Baker are unnervingly effective. So too, are his pen-portraits of their music ...his long postscript on jazz today shows that he can operate as a lucid and catholic jazz critic as well' Miles Kington, INDEPENDENT ON SUNDAY

A wonderful, nostalgic novel about youth in London in the 1980s

The American writer, John Cheever, died in 1982, leaving behind 29 loose-leaf notebooks begun in the late Forties. They form the content of this book. His commitment to them was of central importance to his life - as a workbook and a retreat, an unhindered act of self-revelation where he could explore his ambiguities. He loved his wife and their children, but was acutely lonely; he loved women, but he also loved men; he hated himself for his drinking, but for much of his life was dependent upon it; he was a great writer, but one whose acute levels of perception often crippled him as a person.

For the student, for the connoisseur, for the gallery-goer, for those who simply want to thumb through and delight in the world's greatest paintings, this book is indispensable.

The book presents a diverse collection of ideas and themes, showcasing a broad spectrum of knowledge and perspectives. It invites readers to explore various subjects, engaging them with its eclectic approach. The content is designed to provoke thought and inspire curiosity, making it a compelling read for those interested in a wide-ranging exploration of topics.

Sitting down to write a book about his hero D. H. Lawrence, Geoff Dyer finds himself compelled to write about anything else. He is in fact compelled to do more or less anything else instead of write. In Sicily he is too preoccupied by his hatred of seafood to follow the great writer's footsteps; in Mexico he cannot get beyond a drug-induced erotic fantasy on a nudist beach . . . And yet, incredibly, this attempt to write a 'sober academic study' reveals the hold Lawrence and his work still exert on us today. Out of Sheer Rage is a complete one-off, a richly comic study of the combination of bad temper, procrastination and the uncanny power of obliquity.

See/Saw' is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.00Following Dyer's previous books on photography, 'The Ongoing Moment' and 'The Street Philosophy of Garry Winogrand', 'See/Saw' brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work.00In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.

In his last book, YOGA FOR PEOPLE WHO CAN'T BE BOTHERED TO DO IT, Geoff Dyer confessed that not only did he not take pictures in the course of his travels but that he did not own a camera. With characteristic perversity - and trademark originality - THE ONGOING MOMENT is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways that canonical figures such as Alfred Stieglitz, Paul Strand, Walker Evans, Kertesz, Dorothea Lange, Diane Arbus and William Eggleston have photographed the same scenes and objects (benches, hats, hands, roads). In doing so Dyer constructs a narrative in which those photographers - many of whom never met in their lives - constantly come into contact with each other. Great photographs change the way we see the world; THE ONGOING MOMENT changes the way we look at both. It is the most ambitious example to date of a form of writing that Dyer has made his own: the non-fiction work of art.

A Huffington Post Best Book of the Year There is no other writer at work today like the award-winning Geoff Dyer. Here he embarks on an investigation into Andrei Tarkovsky's Stalker, the masterpiece of cinema that has haunted him since he first saw it thirty years ago.