This retrospective delves into the work of a groundbreaking artist, highlighting how she transcended the boundaries of Abstract Expressionism. It examines the influences and transatlantic contexts that shaped her artistic journey, offering insights into her innovative techniques and thematic explorations. Through a comprehensive analysis, the book celebrates her contributions to the art world and the lasting impact of her unique vision.
Gregory Crewdson (b. 1962, Brooklyn, New York) captures artfully condensed stories in his photographs, which revolve around the intrusion of the mysterious into the mundane. In a work from his series Twilight (1998-2002), for instance, yellow school buses are parked in front of white wooden houses, with groups of students standing or lying motionless across the landscape. The image appears idyllic at first glance but reveals an unsettling, altered reality that evokes a sense of the uncanny. What exactly is happening here? To dramatize his disturbing suburban scenes, Crewdson employs a level of effort typically associated with Hollywood films. Through meticulous lighting, cranes, set design, and extras, he stages his visions, which also serve as precise depictions of American everyday life. This publication gathers all of the artist's photographic works into one volume, including his latest, previously unpublished series Beneath the Roses.
Artist Rineke Dijkstra has appropriated the formal qualities of the studio portrait from the early part of this century--taking the convention of the full length, frontal and centrally composed portrait to its logical limits, she is able to penetrate to the core of her subjects. Each photograph is marked with a precise date and location, suggesting a conscious evocation of the work of the early 20th century photographer August Sander and his project to document the ''Citizens of the Twentieth Century.'' Dijkstra's photographs stand by themselves, bearing no reference to personal circumstances or the specific geographical details of the location--the power of her images lies in an intimate psychological connection between artist, sitter, and viewer. For Dijkstra's best known series of photographs--an extensive series of beach portraits of teenagers and children taken on beaches all over the world between 1992 and 1996--the artist sought out a certain introversion or unease in her subjects, capturing with rare perfection the human condition of feeling not-at-home in the world. This brilliant new monograph documents Dijkstra's recent photographic and video work.
This book explores the influence of money on society through the lens of various artists. Organized into themed "rooms," it showcases diverse artistic practices, from using real money to creating luxury imitations or handmade pieces. It examines how art reflects and critiques the complexities of monetary value and consumerism.
Dutch
