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Constance Penley

    Constance Penley duikt in de diepe snijvlakken van film, feminisme en psychoanalyse. Haar werk, geïnformeerd door haar academische achtergrond in film- en mediastudies, onderzoekt hoe filmische creatie ons begrip van illusie en realiteit vormgeeft. Ze onderzoekt de manieren waarop filmische narratieven en visuele stijlen worden ingezet om maatschappelijke normen te construeren en te bevragen. Haar aanpak biedt een unieke lens op de psychoanalytische fundamenten binnen de cinema.

    The Feminist Porn Book
    Media and Society: The Future of an Illusion
    Feminism and Film Theory
    • Feminism and Film Theory

      • 271bladzijden
      • 10 uur lezen

      First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

      Feminism and Film Theory
    • Media and Society: The Future of an Illusion

      Film, Feminism, and Psychoanalysis

      • 232bladzijden
      • 9 uur lezen

      The Future of an Illusion was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory. Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura ,she is the editor of Feminism and Film Theory .

      Media and Society: The Future of an Illusion