Robert J. Holton Volgorde van de boeken (chronologisch)

'In this remarkable collection of essays, Holton and Turner demonstrate that Parsonian sociology addresses the most central problems of our time – issues of sickness and health, power and inequality, the nature of capitalism and its possible alternatives. They develop a mature and original perspective on Parsons as the only classical theorist who avoided crippling nostalgia. Holton and Turner not only talk about Parsonian sociology in a profound and insightful way, they do it, and do it well. As sociology moves away from the rigid dichotomies of earlier debate, this book will help point the way.' – Jeffrey Alexander, Professor and Director of Graduate Studies in Sociology, UCLA

Faced with so much rhetoric and hype about how globalization is changing the world in which we live, it is hard to assess what it really means and what effect it will have on the lives of individuals and nations. This book sets out to make sense of the confusion. Drawing on a wealth of information from historical, economic, political and cultural sources, it offers a balanced assessment of the strengths and limitations of trends toward globalization. Globalization is not an inherently Western process, but one that draws on the experience of many nations and civilizations; it encourages cosmopolitanism, yet cultural identity remains mostly bounded by national and local affiliations.

Jarring Witnesses begins by surveying the problem of point of view as a formal, cognitive and cultural determinant in narrative historiography, particularly in the way certain dominant forms of 'legitimate' history have necessitated the suppresson of the voices of 'jarring witnesses'. The theory is explored in relation to Pierre Bourdieu's theories of doxa and heterodoxy, Bakhtin's concept of heteroglossia, and postmodernism. With this theoretical framework established, a number of modern novels concerned with history are then explored. Chapters devoted to Conrad's Nostromo , Ford's Parade's End , and Faulkner's Absolom, Absolom! examine the ultimate orthodox historiographical points of view in these novels, while a chapter on the fiction of African-American women engages the problem of historiography from the margins of the dominant culture. In the final chapter, Pynchon's V is the focus of a discussion of postmodernism and historical discourse. This is an original, interdisciplinary work which engages issues of contemporaray academic debate and illustrates its arguments with examples from well-known texts. The book is relevant to current debates in the problems of narrative representation both in fiction and the writing of history, while addressing questions being raised in literary studies concerning the representation of cultural difference and the varieties of social and discursive power.