'As for me I have one ambition only: to invent stories, very beautiful stories.' So said Karen Blixen who, in creating her spellbinding tales of fantasy and romance, also invented for herself the persona of Isak Dinesen. These three tales of love and loss are taken from Winter's Tales.
Karen Blixen, che diceva di se stessa "io sono una cantastorie e nient'altro che una cantastorie", era anche una trascinante conversatrice: prova ne sono questi saggi - o piuttosto divagazioni - spesso scritti per essere letti davanti a una platea, visibile o invisibile, nel corso di conferenze o trasmissioni radiofoniche. Passiamo dall'Africa alla Germania nazista, descritta in un memorabile reportage (prima e unica esperienza giornalistica della Blixen, interrotta dall'invasione tedesca della Germania), o dall'ornitologia ai motti, tema, quest'ultimo, ricchissimo per un essere così naturalmente fedele a una visione aristocratica del mondo. E ogni volta è come se la Blixen estraesse da un cassetto, adagio e con delicatezza, un dagherrotipo e, prendendo spunto da quell'immagine che pochi saprebbero far parlare, ci trasmettesse qualcosa di prezioso appreso un giorno - qualcosa che ora, come un vecchio marinaio, vuole far giungere a noi.
In the classic "Babette's Feast," a mysterious Frenchwoman prepares a sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In "The Immortal Story," a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors' tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and a rakish artist. Hauntingly evoked and sensuously realized, the five stories and novella collected here have the hold of "fairy stories read in childhood . . . of dreams . . . and of our life as dreams" (The New York Times).
Martine and Philippa are the daughters of a forceful priest of a Lutheran sect. Reared to deny all earthly pleasures, they live out their lives performing good work on behalf of the inhabitants of the tiny Scandinavian fishing village in which they reside. When Babette, the French refugee to whom they have given shelter, asks to repay them by preparing a sumptuous feast, they are forced to reconcile their father's teachings with the elaborate and bountiful meal prepared by Babette for themselves and the other aging villagers.
Here is a rich new biographical perspective on the brilliant storyteller whose sophisticated romantic fiction...made her an international success and a perpetual candidate for the Nobel Prize for Literature..._these letters+ contain the raw material that was later transformed into her classic memoir Out Of Africa.
Last Tales is a collection of twelve of the last tales that Isak Dinesen wrote before her death in 1962. They include seven tales from Albondocani, a projected novel that was never completed; "The Caryatids," an unfinished Gothic tale of a couple bedeviled by an old letter and a gypsy's spell; and three tales of winter, including "Converse at Night in Copenhagen," a drunken, all-night conversation between a boy-king, a prostitute, and a poor young poet.
Isak Dinesen was the pen-name of Karen Blixen, who was born in Rungsted, Denmark in 1885. After studying art, she married her cousin, Baron Bror Blixen-Finecke. Together they went to Kenya to manage a coffee plantation. After their divorce, she continued to run the plantation until a collapse in the coffee market forced her back to Denmark.
Verhalen over het leven op een koffieplantage in Kenya in de jaren twintig.
Isak Dinesen is een schrijfster van bijzondere klasse die prachtig, glashelder proza schrijft, poëtisch, romantisch zelfs. Doordat de verbeeldingswereld van deze schrijfster er zo volkomen anders uitziet dan die van het merendeel der hedendaagse scheppende kunstenaars, geeft dit werk je bij het lezen een schok van verrassing. Welke diepe zin zij ook in haar verhalen gelegd mag hebben, in ieder geval zijn ze als pure vertelling uitermate boeiend. Zonder pardon schuift zij coulissen opzij, waarmee wij mensen ons graag omringen om het leven wat herbergzamer te maken. Haar verhalen openen een verte, die tot de uiterste grenzen van het leven reikt. Hoe tragisch ze vaak mogen zijn, deze vertellingen laten daardoor toch niet een indruk van uitzichtloze somberheid na. Onder de pen van deze schrijfster herneemt het leven zijn waardigheid, het richt zich op in zijn volle, tragische grootsheid, zoals het dat eeuwen geleden heeft gedaan in de tragedies van de Grieken. Het werk van Isak Dinesen is grootser, wilder, heftiger dan wij gewend zijn. Clare Lennart in Elseviers Weekblad.