Daniel Kehlmann is een Duits-Oostenrijkse auteur wiens werk de ingewikkelde wisselwerking tussen realiteit en perceptie onderzoekt. Zijn romans behandelen vaak grose ideeën en historische gebeurtenissen, herinterpreteerd door een onderscheidende lens. Kehlmanns proza wordt geprezen om zijn precisie, humor en diepgaand psychologisch inzicht. Zijn schrijven spreekt lezers aan die op zoek zijn naar intelligente en tot nadenken stemmende literaire ervaringen.
One of the most influential figurative painters of his generation, Neo Rauch presents bold, new work in Propaganda. This edition features a short story by acclaimed novelist Kehlmann, which was inspired by the paintings here.
He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here! In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same. Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. As a travelling entertainer, his journey will take him across the land and into the heart of a never-ending war. A prince's doomed acceptance of the Bohemian throne has European armies lurching brutally for dominion and now the Winter King casts a sunless pall. Between the quests of fat counts, witch-hunters and scheming queens, Tyll dances his mocking fugue; exposing the folly of kings and the wisdom of fools. With macabre humour and moving humanity, Daniel Kehlmann lifts this legend from medieval German folklore and enters him on the stage of the Thirty Years' War. When citizens become the playthings of politics and puppetry, Tyll, in his demonic grace and his thirst for freedom, is the very spirit of rebellion - a cork in water, a laugh in the dark, a hero for all time
Measuring the World recreates the parallel but contrasting lives of two geniuses of the German Enlightenment - the naturalist and explorer Alexander von Humboldt and the mathematician and physicist Carl Friedrich Gauss. Towards the end of the 18th century, these two brilliant young Germans set out to measure the world. Humboldt, a Prussian aristocrat schooled for greatness, negotiates savannah and jungle, climbs the highest mountain then known to man, counts head lice on the heads of the natives, and explores every hole in the ground. Gauss, a man born in poverty who will be recognised as the greatest mathematician since Newton, does not even need to leave his home in Göttingen to know that space is curved. He can run prime numbers in his head, cannot imagine a life without women and yet jumps out of bed on his wedding night to jot down a mathematical formula. Measuring the World is a novel of rare charm and readability, distinguished by its sly humour and unforgettable characterization. It brings the two eccentric geniuses to life, their longings and their weaknesses, their balancing act between loneliness and love, absurdity and greatness, failure and success.
Having a profound experience on a hypnotist's stage in spite of not believing in magic, Arthur abruptly abandons his family in the middle of the night and becomes a famous author while his sons grow into men shaped by loss and doubt.
**Shortlisted for the Independent Foreign Fiction Prize 2015** Artful and subversive, F tells the story of the Friedland family - fakers, all of them - and the day when the fate in which they don't quite believe catches up with them. Having achieved nothing in life, Arthur Friedland is tricked on stage by a hypnotist and told to change everything. After he abandons his three young sons, they grow up to be a faithless priest, a broke financier and a forger. Each of them cultivates absence. One will be lost to it. A novel about the game of fate and the fetters of family, F never stops questioning, exploring and teasing at every twist and turn of its Rubik's Cube-like narrative.
The Friedland brothers have nothing in common. Martin is a priest with no faith. Ivan is an artist with no integrity. Eric is a financier - now, with no money. Each, in their own way, a fake. Each about to step into the abyss.
From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse "It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany--a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics. He is eager to finish a screenplay for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him--and within him.
Sebastian Zollner is searching for his big break. A failure as a journalist, a boyfriend, and a human being, he sets out to write the essential biography of the eccentric painter Manuel Kaminski. All he needs to do is ingratiate himself into Kaminski’s family, wait for him to kick the bucket, and then reap the rewards. There’s only one problem. Kaminski has an agenda of his own, an agenda that will send them on a wild-goose chase to places neither of them ever expected to go. Told with Nabokovian wit and an edgy intelligence, Me and Kaminski is a shrewd send-up of art and journalistic pretensions from the internationally acclaimed author of Measuring the World.
Imagine being famous. Wouldn't that be great? But what if, one day, you got stuck in a country where no one spoke your language. Where no one knew your face and you had no way of contacting home. How would your fame help you then? What would happen if someone got hold of your mobile phone? If they spoke to your girlfriends, your agent, your director and started making decisions for you. And when no one believed that you were you any more, when you saw a lookalike acting your roles for you, what would you do? In this delightfully entertaining book, Daniel Kehlmann throws his characters into situations that are thrilling, funny, surprising and tragic, confirming his place as one of his generation's finest writers.
Played out in real time, this riveting thriller pits two powerful antagonists head to head. Daniel Kehlmann's Christmas Eve , translated by Christopher Hampton, premiered at the Ustinov Theatre, Bath, in October 2017.