Jim Kelman Boeken

A collection of essays in which the author deals with a wide range of issues literary, artistic, political and philosophical - Russian writers who influenced him, the lives of the Impressionists, Chomsky's key role in 20th- century thinking, the Caribbean Artists' Movement, and the struggling Scottish steel industry.

Incendiary and heartrending, the sixteen essays in The State is Your Enemy lay bare government brutality against the working class, immigrants, asylum-seekers, ethnic minorities, and all who are deemed of “a lower order.” Drawing parallels between atrocities committed against the Kurds by the Turkish State, and the racist police brutality, and government sanctioned murders in the UK, James Kelman shatters the myth of Western exceptionalism, revealing the universality of terror campaigns levied against the most vulnerable, and calling on a global citizenship to stand in solidarity with victims of oppression. Kelman’s case against the Turkish and British governments is not just a litany of murders, or an impassioned plea—it is a cool-headed take down of the State and an essential primer for revolutionaries.

The world is full of information. What do we do when we get the information, when we have digested the information, what do we do then? Is there a point where ye say, yes, stop, now I shall move on.' James Kelman here offers something of why a book such of this is in front of the public. The State relies on our suffocation, that we cannot hope to learn 'the truth.' But whether we can or not is beside 'the point.' Finally, there is no 'point.' We must grasp the nettle, we assume control and go forward. Kelman says, 'I wanted to convey some of that sensibility with the idea of being in conversation with Noam Chomsky, of being in his presence, a sort of seminar. It is not influence. I dont see it as 'being influenced' by Chomsky. He belongs to the great tradition of teaching, of learning. We learn from him through what he does.' At its core, this exhilarating collection of essays, interviews, and correspondence - spanning the years 1988 through 2018, and reaching back a decade or more previous - is about the simple concept that ideas matter. And not only that ideas matter. But that ideasin this case, through the lens of two engaged intellectualsmutate, inform, inspire, and ultimately provide more fuel for thought, the actions that follow such thought, and for carrying on, and doing the work

Passionate, exhilarating and darkly humorous, "The Burn" is an extraordinary collection of short stories by a master of paranoia and an unsurpassed prose stylist.

Tammas, a 20-year-old Glaswegian, is a loner and a compulsive gambler. Betting gives him as good a chance as any of discovering what he really seeks from life, since society offers him no prospect of a better alternative. James Kelman won the 1994 Booker Prize for "How Late it Was, How Late".

James Kelman's inimitable voice brings the stories of lost men to light in these twenty one tales of down on their luck antiheroes who wander, drink, hatch plans, ponder existence, and survive in an unwelcoming and often comic world. Keep Moving and No Questions is a collection of the finest examples of Kelman's facility with dialog, stream of conscious narrative, and sharp cultural observation. Class is always central in these brief glimpses of men abiding the hands they've been dealt. An ideal introduction to Kelman's work and a wonderful edition for fans and Kelman completionists, this lovely vollume will make clear why James Kelman is known as the greatest living modernist writer.

Not Not While the Giro is James Kelman's first major collection of short stories originally published by Polygon in 1983. The reader follows the lives of young men, social misfits, whose lives are spent waiting waiting for their next giro or menial job in the pub, the dole office, the snooker table and the greyhound track. This collection, written with irony and great tenderness, confirmed James Kelman's status as one of the most significant writers in the UK, and remains as powerful, relevant and truthful as it was in the early 1980s. -- Amazon.com

Each selection of stories is preceded by a detailed portrait, drawn by Gray, above a reproduction of the writer's signature. The collection ends, as do so many of Gray's books, with a chapter detailing how the book got written. Postscript is a detailed memoir of Gray and Kelman, among others, attending Philip Hobsbaum's writing group in the 70s and their friendship with Agnes Owens. Gray had agreed to produce another collection of short stories, but didn't have enough written to fill a book on his own. So he used his position to help friends that he thoughts deserved the boost of publication by a major London-based publishing house. His decision has since been vindicated and the collection is seen as an early display of three talents that would be of great importance to the boom in Scottish writing in the late-80s/early-90s. Owens has since had several well-received novels published and Kelman has won the Booker prize.

From the Booker Prize-winning James Kelman, 'Dirt Road is about coming of age, grief and the folk music of the American deep south' Daily Telegraph

Featuring 35 short stories, this collection showcases works that evoke comparisons to literary giants like James Joyce and Kafka. Most of these stories are published in the U.S. for the first time, offering readers fresh perspectives and rich narratives that explore complex themes and human experiences. The blend of unique storytelling and profound insights makes this anthology a significant addition to contemporary literature.