George Mackay Brown Volgorde van de boeken

From the early 1960s to the late 1980s, George Mackay Brown wrote new Christmas poems which were printed on cards sent to his close family or friends, or, as the years went on, he designed his own cards, commissioning art from friends and family and again including original verse compositions. This book reproduces all the known cards, the majority of which were found in the possession of his niece living in Stromness, George's home town throughout most of his life. They are a complete delight and will be a must for all of Mackay Brown's numerous and devoted followers. But they also open a door into this remarkable man's life which will have an appeal to an audience far beyond the shores of Orkney at Christmas time.

George Mackay Brown was a master of the short story form and produced a steady stream of short fiction collections, starting with A Calendar of Love (1967) and include A Time to Keep (1969) and Hawkfall (1974), as well as his poetry collections and novels. In this selection, edited and introduced by Malachy Tallack, we explore the author’s Orkney and the ups and downs of the crofters and fishermen there. These magical stories, drawn from ancient lore and modern life, strip life down to the essentials.

In this, the first new selection of George Mackay Brown’s poetry for over 25 years, Kathleen Jamie explores the multi-faceted world of the poet’s Orkney, his lifelong home and inspiration. George Mackay Brown’s concerns were the ancestral world, the communalities of work, the fables and religious stories which he saw as underpinning mortal lives. Brown believed from the outset that poets had a social role and his true task was to fulfil that role. Art was sprung from the community, and his role as poet to know that community, to sing its stories.

First published in 1969, An Orkney Tapestry, George Mackay Brown's seminal work, is a unique look at Orkney through the eye of a poet and a celebration of Orkney's people, language and history. Unavailable for many years, this new edition has a specially commissioned Introduction written by Kirsteen McCue and Linden Bicket.

Christmas Stories gathers together some of the previously unpublished winter themed and Christmas stories that Mackay Brown either published separately in newspapers, or included in limited edition book printings, together with some of his previously published stories. They all possess the extraordinary Orcadian voice that can only be be George Mackay Brown. They take the reader to another time, another universe, and will brighten any reader's Christmas season

Zadumaně krásné Orkneje u břehů Skotska představují „ostrovy plovoucí k severu“ a jejich zneuctěný aristokrat ducha Magnus Erlendson se na nich konečně dočkal statutu svatého mučedníka a patrona. George Mackay Brown převyprávěl ságu o tomto středověkém šlechtici – mimo jiné figurujícím ve folkloru této výspy Evropy jako nemrtvý přízrak – s odvahou, jež se směle měří se zanícenými výkony dávných bardů s harfou. Zásluhou magického realismu čechraného skoupým slunkem, všudypřítomnou slanou vodou i úklady starými jako lidstvo samo zjišťujeme, že dvanácté století nebylo na Orknejích ani pod nadvládou Norů zdaleka pouze „temné“, neboť vše se tak jako tak vrací v kruzích a nad zbídačelým krajem znovu zavládne světlo. Vroucná báj o narození, prozření, smrti a zmrtvýchvstání krajana-mírotvorce vede k docenění rodné země: pravlasti dobra i všeho vnitřního utrpení, kterého hrouda pod našima nohama poznala daleko víc, než každý z nás v životě zjistí. George Mackay Brown převyprávěl ságu o středověkém šlechtici – mimo jiné figurujícím ve folkloru této výspy Evropy jako nemrtvý přízrak – s odvahou, jež se směle měří se zanícenými výkony dávných bardů s harfou.

Fankle tells Jenny the stories of his different lives with pirates, in ancient Egypt and even with the Empress of China.

Light wear to the covers. Shipped from the UK in recyclable card packaging.

Light wear to the covers. Shipped from the UK in recyclable card packaging.